October 7, 2004

Gallery Goes Green

flavin-green-light.jpg
Anyone who has been by the National Gallery of Art's East Building at night has probably noticed an eerie light shining from all angles of the I.M. Pei-designed structure. This DCist photo may make you wonder what's going on inside. It's not a radioactive substance; it's not an artistic statement pushing the Green Party agenda at the foot of a bi-partisan Capitol Hill. It's the work of the late artist Dan Flavin, who revolutionized the use of light as an artistic medium.

The exhibition is the first major retrospective of the Flavin's work, which the National Gallery describes as some of the "most important and influential" of the late 20th century.

Since the entire building seems to be emitting green light, it is a bit disappointing that the Pennsylvania Avenue facade has some scaffolding up, obstructing part of Flavin's showcase piece. But the overall effect of Flavin's work on the building is quite impressive, something Pei may have never envisioned when he designed the East Building.

For more on the exhibition, including what some of the critics are saying, check out the jump.

At the National Gallery's Flavin exhibition, there are 46 objects and installations, the majority of which use fluorescent lights with 110 drawings, sketches and collage constructions.

The Post's Blake Gopkin had an overall positive review of Flavin's work on display at the National Gallery, though he wrote "[w]hen work is this immediately fun, there's always a nagging doubt about how much deeper it goes." But perhaps it's all about the effect.

One Flavin is a four-foot-high wall of bright green bars of light, meant to extend the length of whatever gallery it's shown in. Once your eyes and brain have stretched to cope with it, the rest of the world looks pink.

While it'd be nice if the exhibition would be open at night for general viewing, DCist recommends that you do a walk-by, perhaps before or after a pint at the Flying Scotsman on Second Street NW. The exhibition will be on through Jan. 9.


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Comments (1)

It's a great exhibit, and despite what Gopnik says, Flavin's work goes deep.

 
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