Lypsinka Returns with a 'Passion'
DCist was impressed by the Synetic Theater’s silent MacBeth, but a new production at the Studio Theater is attempting a similarly impressive feat. The stars not only remain silent, but their characters are performed with other people’s voices. Yes Washington, Lypsinka has returned, this time as Joan Crawford.
Twenty-five years ago a star was born on Christopher Street as Creator/Performer John Epperson made his theatrical debut as an amalgam of the most glamorous leading ladies from Hollywood’s golden era.
However, don’t call it a drag show. Lypsinka‘s latest production, The Passion of the Crawford, is more performance art than play, bringing the star to life in looks, gestures and posture. Using archived recordings of the tempestuous star, Lypsinka goes beyond the fun flashy parody of the typical drag show (though they do break out the strobe lights and techno near the end) to present a slightly more nuanced Joan than seen in Mommie Dearest.
It’s a pity, but nowadays many people only know Joan Crawford as a reference. She’s become shorthand for the classic Hollywood diva. So before seeing Lypsinka’s silver anniversary production, you may benefit from a little research. For an introduction, pick up Mildred Pierce, one of the actress’s best performances and the (in)famous biopic that inextricably linked Crawford to wire hangers and ruined Faye Dunaway’s career. A little knowledge will take you a long way.
No time for Netflix? The show still has plenty for the uninitiated. Taking the form of a chat show interview, there’s a good deal of entertainment in knowing that Crawford actually said these things on television. As the leading lady herself, Epperson dazzles. There’s meaning in every movement from the trembling lip when touched by the love of her public to a dismissive blink at her interviewer's attempts at affection, humor, or physical contact. Steve Cuffo holds his own as
Milton Berle John Springer, whose fawning fanboy treatment of Crawford makes James Lipton look like Charlie Rose. He also acts as every other character in the show, especially fun when contorting in his seat as two of Crawford’s children.
While Cuffo’s performance is strong, occasionally he is upstaged by Epperson’s accessories. Lypsinka works her wrap and handkerchief so well that the items almost merit their own supporting credits. Costume designer, Ramona Ponce, has wonderfully clothed her glamizon in a red and black palette that appropriately bring to mind beauty and danger. While there are no big costume changes the alternate wraps help move the show along.
Of course, a show like this relies heavily on a skilled soundperson. They rarely receive the credit they deserve in most shows, but the role could not be more crucial than in a lip-synched performance. Gil Thompson keeps everything running smoothly with comical flashbacks and somber chords for when St. Joan gets serious. The same can be said for Projectionist Grady Hendrix, who contributes an extra visual element to the multi-media experience.
The most questionably enjoyable bit of the show was the ending, but even the rare faults are easily repaired with the quirk of an expertly arched brow. Congratulations on your 25th showbiz birthday, Lypsinka, and many happy returns. We swear darling, you don't look a day over 17.
'The Passion of the Crawford' runs February 7 – 25, at the Milton Theatre in Studio Theatre. Ticket prices are $39 - $55; contact 202-332-3300 for Information/Tickets.