>> Artomatic comes to a close this weekend, after five long weeks of inundating us with massive quantities of art, free performances, lectures, concerts, film series, demonstrations and workshops, and spirited community building that even your old summer camp counselor couldn't match. If you haven't gone down to Crystal City yet, the old Patent Office location is only a few blocks from the metro, and the art fair only rises up every two (sometimes three) years in ever-changing forms due to venue and artist changes, so put this on your now-or-never list. Time your visit to hit up some of this weekend's events, including Friday and Saturday's fire dancing performances at 9 p.m. We're also mildly amused by Tim Tate's kidnapped art slash possible publicity stunt, reported by Reliable Source, who got roped in by the The Collector — the, um, long-awaited superhero the art world didn't ask for, but will nonetheless appreciate more if he loses the bandana and dons some spandex. His motto?
Only through the loss of art does society value its art ... This is not the end but the beginning. Whenever art is undervalued the collector will appear to remind this city that one of its most valuable assets is the creative community that is so deeply ingrained in its fabric.
>> Meanwhile, the ongoing "retrospective" Ian and Jan: The Washington Body School continues at the DCAC until June 3. Check out the elaborate reaction to the Washington Color School movement by Jeffrey Cudlin and Meg Mitchell, including an exhibit of work "by" Ian and Jan, lengthy analysis, and video featuring many well-known local art curators and writers talking about their favorite pieces by the duo. Wrap yourself in the parody during their regular hours, Wednesday through Sunday, 2 to 7 p.m.
>> The first installment of the third WPA\C Experimental Media Series passed us by at the end of April, but lucky us: G Fine Art has the video and sound works from the show and will continue to screen them until May 26. Stop by during their regular hours, Tuesday through Saturday, 11 a.m. to 6 p.m., to see this ColorField.remix themed series, curated by Richard Chartier.
>> Mid City Artists will be holding another Open Studios event this weekend around the 14th and U Street areas, so grab a map from their web site with the locations and spend Saturday or Sunday, 12 to 5 p.m., peeking in artists workshops for the behind the scenes view.
Photo by outdoor_type.
>> Start your weekend early with some art at Pangea Artisan Market and Cafe at the IFC (2121 Pennsylvania Ave, NW). Artists from Art Enables will be at the meet and greet from 2 to 4 p.m. as the "featured local artisans" for this venue that displays art and crafts from around the world, created with the help of grants from IFC, part of the World Bank.
>> After your trip to Pangea, take a dinner break and hit up Conner Contemporary for their reception from 6:30 to 8:30 p.m., opening Aversion by artist Mary Coble. Through mostly photography, Coble explores the intolerance and boundaries regarding sexual identity and traditional societal roles. Be there at 7:30 p.m. for the live performance, or catch the online webcast at Conner's web site.
>> The Smithsonian American Art Museum opens a new exhibit tomorrow with The Prints of Sean Scully. His pieces, which will go off on a national tour in October, play with light and shadow and repeated patterns within abstract images. DCist is going to stop by this weekend, and you might want to do the same — at 3 p.m. on Saturday, Scully himself will be there to discuss his work in the McEvoy Auditorium.
>> At the other end of the spectrum, the National Geographic Museum opens an exhibit today featuring 60 photographs by Ugandan refugees. National Geographic and International Medical Corps sponsored the Photo Camp last November for these displaced people ages 12 to 20, who participated in workshops that taught them to use the camera to document their lives. Mentored by four photographers, including National Geographic's Reza Deghati, who's work we saw last year, this show is a must, but tough, see.

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