
Walking into Jammin’ Java Friday night, here’s what I knew about Philly rockers Marah:
1) High Fidelity and About a Boy author Nick Hornby, a man who has documented his musical preferences at least enough for me to know I largely share them, loves on this band so much he devoted one of his book columns in Believer magazine a couple of years ago to their largely unsung magnificence.
1a) Stephen King --Josh Ritter fan No. 1, y'alls! -- likes them, too. (Relevance? None. But just try finding a feature on Marah from the last seven years that doesn't mention it.)
2) Some people, notably High Fidelity and About a Boy author and Believer columnist Nick Hornby; less notably, one of my boxing pals; think they sound vaguely like Bruce Springsteen and the E Street Band.
With such unimpeachable endorsements in hand, I deemed the deck sufficiently stacked in favor of a rewarding night of music to venture west; across the river, beyond the Beltway, to Vienna, site of my junior prom dinner, among other notable episodes from history.
It was worth the trip. Marah, newly outfitted with a (temporary?) sixth member, keyboardist Christine Smith, are such a perfect synthesis of worthy antecedents — Springsteen and the E Street Band, sure; but also the Replacements, for their constant struggle between aggression and tender emotion; the Faces (Rod Stewart has sucked for longer than I’ve been alive, but he didn’t always); and maybe the Drive By Truckers, if only because they seem to be the only band still peddling that triple-axe "guitarmonies" thing — that prior familiarity with their material isn’t required.
Ordinarily when I know I’m going to write about a show I’ll jot down snatches of lyrics from any tunes I don’t recognize so I can look them up later. This proved agreeably impossible with Marah, as the sound mix was set perfectly for band like this, which is to say, crashing drums and searing guitars way up; vocals and keyboard way down. A flip through my notebook reveals that a many of the songs contained such singular flourishes of the the pen as “Hey hey hey!” and “Sha-na-NA-na-na.” Nothing here as unmistakable as, say, “Yellow custard dripping from a dead dog’s eye,” unfortunately, but I tried Googling them anyway.
But "Hey hey hey" and "Sha-na-na-na" kind of tells you most of what you need to know, right? This is a band that plays loud, exuberant, oil-stained, irony-free garage rock. They’ve got chops to burn, but the needle swings in favor of emotion rather than technical precision. The only two stable members, neither of whom lack for charisma are, it turns out, blood. David Bielanko, who does most of the signing and lead guitar, looks like a smack-addled Izzy Stradlin, but he's got a supple vocal range and energy to spare. Serge Bielanko, who plays the maracas and the tambourine with an expression of of grave, puckered-lip commitment when he isn't playing guitar and singing or blowing a harmonica, seems to be rocking the late period haute-Springsteen Mennonite look, what with pinstriped suit vest and pants sans jacket. The six members of Marah don't looks so much like they're in different bands as in different professions — but their ensemble playing is instinctive and forceful.
Anyway, they’re not, as David explained, on a proper tour just now. They’re releasing a new album, Angels of Destruction, in January, with a full-on promotional blitz to follow. Friday night’s show was the happy by-product of Dave having a few too many Sierra Nevada Pale Ales and agreeing to play a wedding on Saturday. The group hastily booked a few shows for the days surrounding the wedding to make the road trip from, um, Philly worthwhile. (They just may be that close to the bone. Despite the enthusiasm of the folks who did show up, there was plenty of room to stretch out at Java Friday night — and that place isn’t exactly RFK Stadium.)
Said imminent nuptials that led the band to attempt a cover of “Autumn Leaves” during their encore, one of a handful of ballads (“So What If We’re Out of Tune,” “Where the Dark Horses Go,” “Tippecanoe” — I was able to pick out the slow songs easily enough) included in their otherwise-unrelenting two-hour set. As Smith lit into the tune’s sophisticated piano groove, David Bielanko murmured, seemingly to himself, “Wow, I am going to butcher this motherfucker.” He didn’t, as it happened, but there was still plenty of blood on the floor when they were done.

Thanks to This Week's Advertisers


i was there front row. sobriety agrees with dave, i think. pure rollicking fun. and i really dig the songs off the upcoming album. they're streaming online now.
sidenote - folks with cameras at shows need to take it a little easier. i do love having the pics later, but running back and forth for the entire set getting flash pics from every angle can disrupt the flow of the thing.
Yeah. I was looking on the Marah message board for a setlist and it looked like there was quite a little squabble in progress between that very zealous photographer and some others. The way that guy kept crawling around the stage throughout the set, I figured he'd been hired by the band.
I didn't take any pictures at the the show; hence the publicity shot above the post.
Few things irk me more, as a show-goer, than overzealous photographers. Well of course there's
-Stage divers
-Tall guys who congregate in front of me
-Out-of-place moshers
-Those who smoke while dancing
-And my new favorite, text messagers. Seriously, the band is rocking on stage and you're poking buttons with your thumbs and staring at a tiny LCD screen? Fuck the fuck off.
But the all-over-the-stage, wish-I-could-play-an-instrument-but-I-can't-so-here's-how-I-fulfill-my-attention-whoriness photographers are just sad.
Go to the Christmas show on December 7 at TLA in Philly to see the band in their glory. Marah doesn't need a mob audience to rock the roof off, but it's great fun to be in their home town, hip-to-thigh with the true believers. Outrageous, outstanding, transporting, "hey hey heys" and "sha la las" ring off the walls from the throats of dancing fans. Every concert should be that good.
I popped my Marah cherry at Jammin' Java a couple of years ago and was blown away. I'm yet to see a band put forth so much energy on stage.