November 29, 2007
Avenue Q Makes A Stop In D.C., At Last
Forget Christmas shopping, paying your bills, reading articulate reviews on your favorite local blog. The Internet is for porn.
Such is one of the life lessons the delightful Avenue Q, now playing at the National Theater, provides. The now-famous show is a Sesame Street for the post-college, ennui-ridden 20 or 30-something. This means it teaches us not to spell and know our colors, but instead how to cope with useless liberal arts degrees, commitment-phobic boyfriends and what happens when you have 3 Long Island iced teas before an important day at the office. Plus, naturally, there's puppet sex.
The show appeared on Broadway in 2003 after moving from off-Broadway, and it's touring a little later than most shows do (blame a long-term production opening in Vegas). As a result, this production doesn't feel quite as revolutionary as it did years ago, but that doesn't make it any less entertaining.
Adults operate the puppets which appear on stage, and play separate characters who interact with them as well. Each performer does a nice job invoking the spirit of his or her handheld counterpart without distracting from the puppet itself. We soon focus on the little creatures as the real characters (and the show has some neat staging devices to throw in the mix, such as a giant looming puppet threatening to bring the Avenue Q apartment complex down).
No one's a slouch in this production, but particularly enjoyable are the perky Kelli Sawyer, doing double duty as the ingénue Kate Monster and the puppet sexpot (yes, they can exist) lounge singer Lucy The Slut; David Benoit, at one moment the affable Nicky and then the reclusive Trekkie Monster the next; and Carla Renata as Gary Coleman, a gag that seems at first like it might get tired but works surprisingly well throughout the show.
The songs are of the get-stuck-in-your-head variety, from the provocative "Everyone's A Little Bit Racist", to the almost-too clever for its own good "Schadenfreude". While the songs make you laugh more than anything else, the show's biggest surprises are its moments of actual insight; after all the crap this cynical show puts these puppets through, it's kind of nice to remember that things are gonna be ok - "For Now," the show reminds us.
Avenue Q runs through Dec. 9. Tickets are available online.





I saw this on Broadway 2 years ago -- FRIGGIN HILARIOUS!
Wynn signed the show to his uber fancy hotel in vegas thinking it would be a hit. Ooops. The producers went for it thinking puppet sex wouldn't play in peoria.
But it didn't play in Vegas and just finished in Des Moines.
I think it speaks to a certain Sesame Street generation. Those of us who know where we were when Jim Henson died might connect just that little bit more to this show. That and if you liked the outtakes to Team America: World Police (which I did).
I haven't seen this production, but if they are as well trained as the broadway and london crew, the actors do more than a 'nice job' - handling the puppets and their own onstage relationships is trickier than you might think. And both productions I saw make you forget the trick right away....
See this show. Srsly.
A bit of local trivia: The role of Gary Coleman in the Broadway version is played by Haneefah Wood, who's a '97 graduate of Eleanor Roosevelt High School in Greenbelt, MD.
I hated this play when I saw it last summer in San Francisco. I don't normally enjoy musicals, but figured naughty puppets and songs about porn would outweigh the bad music and dialogue of most musicals I've seen. Nope.
In order for this play to work, the jokes would have to be actually funny on their own. But if live people acted out the dialogue on their own, the play would be unwatchable... the sole thing it has going for it is the "shock value" of watching puppets swearing and having sex... but if you've ever seen South Park or Family Guy, there's no shock value to cartoons/puppets/child-like characters cursing anymore... and when you actually get into the jokes or the songs or the characters or the plot... ehh, there's nothing there.
I've been debating on whether or not to see this show and lexes2's comment about knowing where you were when Henson died...I can definitely remember where I was and hadn't thought about it in years!
hmmm... I think if you hate musicals.. umm.. any musical, is a bad bet. I'm not sure I would pay theatre ticket prices... to watch puppets have sex y'know.. as a rule.