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May 9, 2008

Artomatic Breathes Life into NoMa

2008_0509_artomatic.jpg

Despite eight full floors filled with the work of over 800 visual artists, a slew of stages prepared for musical, dance, theatric, and 200 other performing artists, it's good to remember that Artomatic, which opens today, is about a lot more than "art."

The community-driven, all-volunteer exhibition has been holding court for local artists on-and-off since 1999. This year's show, held at the new Capital Plaza I building at 1200 First Street NE, is by far the biggest they've ever undertaken. Artomatic worked in conjunction with the NoMa Business Improvement District, founded barely a year ago, to find the venue and use the show to highlight the neighborhood as an up-and-comer. Predicting 50,000 visitors over the five week run, all parties hope folks will visit NoMa for first time and see the potential it wants to be known for as a grand commercial district between Capitol Hill and Eckington. The relatively new New York Avenue Metro helped ATF decide to establish new offices there, with NPR Headquarters, some Department of Justice offices, and a Harris Teeter all moving in soon, as well. Liz Price, head of NoMa BID, noted the great effort being put in to bring in retail, restaurants, green design, parks, and, of course, public art to the neighborhood.

You'll have to squint real hard though, because the neighborhood has a long way to go, featuring Gallaudet University and... not much else. In fact, you can see the 12-story Artomatic building from the Metro, over a square-block-sized gaping hole of construction. Potential, however, is something that Artomatic was born for. With each exhibition, volunteers descend upon empty commercial space and make it a living and breathing thing. Local artists benefit for obvious reasons, while the owners of Capital Plaza I hope that potential tenants come calling to see the space while its abuzz with excitement.

As for the show itself, we have to agree with Del. Eleanor Holmes Norton, who spoke at this morning's press event.


2008_0509_readytogo.jpg"Artomatic reminds us that this is a hometown, not a government town...and we refuse to be defined by the monuments, and certainly not by Congress," Norton said.

Artomatic consistantly gets a bad rap for being non-discriminating and over-inclusive. And it's certainly true that some -- well, perhaps more than some -- of the art is really, really not good, and that only a person with superhuman patience could get through all eight floors of art in one visit.

But Norton has it spot-on. If you've witnessed any of the run-up to Artomatic, whether it was the massive volume of the emails sent out, or friends expressing their joy and sometimes near hysteria about their involvement in the show, from picking their wall paint color to sending out reams of invitations, you know that the show generates an excitement about creativity and do-it-yourself community ethic like nothing else in this town. In addition to preparing their own exhibition space, which includes lighting, hanging, and often working with exhibit neighbors when logistical problems arise, each artist must also commit 15 hours to running the exhibition over the five weeks. There is no dumping your art off at the doorstep and waiting for the gallery owner to call you when there's a sale. Visitors are almost guaranteed to meet a large percentage of the artists at their booth during any night you attend the show.

And really, part of the fun of Artomatic is walking around one corner, finding yourself in a fine art gallery, then walking around another corner, into a kitchy junk shop. What is junk and what is fine art is up to nobody here, but you. A great deal of this art is highly affordable, so think about the empty spaces on your wall before you go, and see if you happen upon your piece of art soulmate somewhere in those eight floors. And like PostSecret's Frank Warren will note, you might be finding the next all-star hidden in the corner. (Warren's now famous project got its own start at Artomatic.)

The wide-open floors of Capital Plaza I greatly improve the visitors' experience this year. Unlike the layout of last year's show, which was a dizzying maze of offices and interior cubicles, so confusing that most people missed a great deal of the show, if only because you kept circling the same hall without realizing it (at least, that's what I did). Each floor of Capital Plaza is open from one side of the building to the other, easing claustrophobia with sweeping views over the city. Construction company Miller & Long donated their services through their apprenticeship program to build partitions set up in rows around the floors, making it infinitely easier to know where you are, and where you've been.

When you need a break during your visual art tour, head down to the first floor, where the performing art stages will feature back-to-back events almost every night. Not to mention the countless artist tours, film screenings, workshops and more. Tomorrow, for example, Artomatic will also hold a blood drive from noon to 4 p.m. to benefit Children's National Medical Center. George Koch, the brains, muscle, and everything else behind Artomatic, also hinted at a special night being organized for Galludet students, with tour guides for the hearing impaired. Keep an eye on the Artomatic calendar, because more events are being added every day.

2008_0509_emptybuilding.jpgWe would be remiss, of course, if we failed to mention that you can find the awesome photography of DCist staffers Kyle Gustafson and Eric Petersen on the 10th and 12th floors, respectively. Of course, a number of the 2007 and 2008 DCist Exposed Photography winners will be featuring their works, as well.

As it's impossible to review Artomatic as a show, we'll be bringing you a list of our must-see favorite artists in about a week, after we've all gone to see the show. Once you've checked out the space, please leave your own favorites in the comments.

Artomatic opened officially at noon today and will be open until 2 a.m. tonight. Capital Plaza I is at the corner of 1st and M Streets NE. The New York Avenue Metro is two blocks away and by far the best mode of transportation to the event, but garage parking is also available for $5. All Artomatic events and the visual art exhibit are free; beverages, alcoholic and not, will be for sale. The exhibition is open Wednesday through Sunday through June 15; see the web site for hours.

Photo of Capital Plaza I by Tracy Lee; Photo of Artomatic pre-installation by Scenic Artisan; Photo of installation by sintixerr.

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Comments (12) [rss]

Looking forward to it, and nice photo of Capital Plaza 1!

 

I'm on the 8th Floor in the south-east corner, behind the M in artoMatic and curiously, also behind the photograph that DCist uses in the article above. Come say hello, and if you can't make it, check out my YouTube video: http://www.youtube.com/watch?v=35tIwpkffh8

 

I have liked the maze-like quality of past Artomatics. The Capitol Children's Museum offered a lot of intimate nooks and crannies, although the mix of large and small spaces that was offered at Artomatic 02 in the old Waterfront Mall was perhaps my favorite (although I thought the actual art was not as good as the following years). For whatever reason, it had the best party atmosphere. It also had this cool Metro theme.

 

Maybe someone could "handicap" this unwieldy thing, picking out the best 40 exhibitors who aren't their friends. Or is that too much like a (gasp) jury?

 

Ok, I just got back from Artomatic. Some thoughts:

-Artomatic has gone corporate.

Lots of corporate sponsorship this year, which doesn't bother me in the least bit. I guess it's a sign of respect that Toyota would give them money. Most of the other sponsors have some skin in the game in that they're developers hoping to jumpstart the neighborhood's imminent gentrification.

-Artomatic is actually really good this year.

The quality of the art is by far the best I've seen from Artomatic. Far less navelgazing freakout stuff.

-Artomatic is way less quirky than it used to be.

Kind of the flip side of the previous comment. The quality is a lot better, but it's almost a bit "bourgeois", if you get my drift. So while you catch yourself saying "wow that's kind of nice" more this year, you're way less likely to say "what the hell is that?". A bit more totally weird stuff would've been nice.

-The space is nice and all, but I miss the variety of the past.

Every floor has the exact same open plan layout. It almost becomes a bit surreal after you've seen three or four floors. But I miss the nooks and crannies of some of the other spaces.

-The shot of the building at night is going to flood DCist photo pool

 

Well, I'm with Reid for the most part. I only have last year's to compare to, but I got back a little while ago and I thought it was pretty darn good. Though a little weird hanging out with the fire dancers outside while other folks made their way to Fur and Ibiza. The corporate sponsorship didn't bother me. Hell, they were selling Flying Dog Pale Ale at the downstairs bar. No complaints there.

 

I went last night and made it through about four floors (from the top down.) Overall I agree that there is a more consistent level of really good stuff. I have mixed feelings about the layout because while it's more open and therefore it's easier to see more of the exhibits in one passing, I too miss the weird little nooks and crannies of previous years.

I also like the juxtaposition of this quasi-grass roots local artist exhibition sitting next to the bling-bling of Ibiza.

(Shameless self promotion: If you need a boost of caffeine other than Red Bull, Big Bear Cafe is providing coffee up on the 11th floor.)

 

Terrific overview of AOM and one that gets the point about AOM...

It takes 5 weeks to visit this show... and the best part is breathing in all the artistic energy that it releases.

 

i went on friday night, saw 3 floors, and really need to go back for a floor a night, i think. just take your time going through everything.

and enjoy the amazing view of the rest of the city...

 

I made a second YouTube video of my exhibit space:
http://youtube.com/watch?v=bLUkwZWTam8

This video is a 42 second "fly-through" stretched out to 3 minutes & 30 seconds and reversed. It shows close-up details of a couple of my maps on display. More info about the audio on the YouTube page.

 

You definitely have to check it out a couple floors at a time. Let's be honest, you couldn't take 8 floors of the National Gallery or Met without getting tired of art and burned out.

Check out a floor or two, grab a drink and listen to a band, then try another couple.

 

Review of Artomatic can be found at

www.markpowerblog.com

 
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