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Becky Alprin's High Altitude City, courtesy Irvine Contemporary |
Over 250 artists from across the country were evaluated for Irvine Contemporary's "MFA annual" group show, Introductions4. Each of the artists were chosen by a selection panel of collectors of early-career artists through studio and exhibit visits along with open submissions. The chosen nine, Becky Alprin, Reid Bingham, Christina Empedocles, Adam Frezza, Andrea Land, David Linneweh, Sebastian Martorana, Jimmy Joe Roche and Matthew Woodward, represent an interesting cross section of the graduate art world, displaying work inspired by material, the intersection of people and nature, and memorial.
The show has a little bit of something for everyone, showcasing a diversity of mediums including sculpture, photography, video and painting. The artists also represent a diverse geographic mix with degrees from San Francisco Art Institute, Rutgers University, Southern Illinois University and three from Maryland Institute College of Art.
Becky Alprin and Christina Empedocles show their different interpretation of man's interaction with the natural world. Alprin creates undulating raw wooden landscapes dotted with white plexiglass cityscapes (High Altitude City, pictured). The small cities, showing human construction, and sometimes encroachment, are dwarfed by the wooden landscape. The wood is smooth and natural, engulfing the pointy edges of the cities.
In contrast, Empedocles explores this theme with paint and paper. Inspired by Audubon bird renderings, Empedocles shows a deteriorated memory of nature, emphasizing our separation from the environment in her paintings and drawings. In one interpretation of this theme, highly rendered and accurate birds are drawn on paper and cut out to reveal their silhouettes. They are then clustered together on the wall, where the paper naturally curls and bends, revealing the blank underside of the paper. It is a visual cacophony with each individual bird struggling for survival and your attention.
For a more soothing visual experience, David Linneweh's minimal modern architectural paintings are ideal. Simple and elegant line drawings of suburban homes grace his canvases. Selected areas of the drawings are rendered with blocks of colors to show shadow and light. It is very reminiscent of paint by numbers, giving his paintings a hint of nostalgia.
Sebastian Martorana's Ode to Ice Cream: Group of 6, courtesy Irvine Contemporary |
On a lighter note, Martorana creates memorials of ice cream pints made from stone (Ode to Ice Cream: Group of 6, pictured). Wanting to memorialize the quiet happy moments of life like sharing a pint of ice cream at the end of the day with his wife, he carved various flavors and consistencies of ice cream, asking "isn't that important too?" The realistic pints exude these emotions and while not as raw as the memorials to the dead and unborn, are just as heartfelt.
Introductions4 is on display through September 6, 2008. Irvine Contemporary is located at 1412 14th St NW and is open Tuesday through Saturday, 11 a.m. to 6 p.m.
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I don't know art, but I know what I hate. And I hate stuff made out of plywood, found objects, and that memorializes mass produced detritus through a sort of faux-naif homage. And I think the artist would agree with me that a viscerally negative response to art can be just as satisfying as a positive one.
[throws feces at screen, shrieks, cranks up Gershwin's obscure Rhapsody in Poo]