Drink in the Details is a monthly column highlighting spirits and classic cocktails written by DC Craft Bartenders Guild members Adam Bernbach (Bar Pilar) and Chantal Tseng (Tabard Inn).
George Bernard Shaw wrote, “Whisky is liquid sunshine.” Robert Louis Stevenson called it the "king o' drinks." Many experienced drinkers, young and old, famous and unknown, often speak with the same great passion regarding one of the most consistent, great distillates of the world: Scotch whisky. Whether in coveted single malt form or in the more prevalent blended form, Scotch gives a singular indication of its origin - glen or isle - and its production process.
Unfortunately, when it comes to cocktails, Scotch whisky is rarely in the mix. With such an expansive array of styles, we believe that there ought to be much more “spiritual” experimentation within the mixology field, especially considering the results are absolutely delicious.
Similar to tequila and mezcal, Scotch whisky has a very pronounced flavor and presence. One must always search for ingredients that will not only complement the base spirit, but also won’t be overwhelmed by its intensity. For Scotch, this intensity comes from peat; the flammable dried earth from what is, essentially, a bog. This dried earth is often used to fuel the kilns to dry freshly-malted (sprouted) barley, in a process known as “malting.” Hence, malt whisky. The main flavor note is one of smoke.
Amongst most mainland Scotches, the peat is dialed way down, but out in the islands, it is significantly more noticeable. The Scots have gone as far as creating a few whiskies that focus on smoke. One is the all-malt blended (vatted) malt from Compass Box called the “Peat Monster.” With these Scotches, there is really no getting away from that smoke, and taming it to work within a drink can be quite a feat. For one, chocolate works incredibly well with peat smoke. Adding a dash of high-quality chocolate syrup or infusing a tea bag full of high-grade cocoa powder can create an entry point for a big peaty whisky in a cocktail. Whatever you mix with peaty Scotches, sweet or spicy or both, has to be big in tone, or it will run away with you.
The most recognizable Scotch cocktail is the Rob Roy, which dates back to the 1890s. It was likely invented at the Waldorf Hotel in New York City where the bartender named it in honor of the operetta “Rob Roy.” It contains Scotch, sweet vermouth, and orange bitters (although many recipes call for Angostura Bitters). While many bartenders use a less-expensive blended whisky as its base, substituting pricier single malt makes this drink brilliant. Like its close sibling, the Manhattan, the choice of what whisky to use makes all the difference. Using a Speyside single malt scotch like the Glenlivet, where the indicative tones are honey, heather, fall fruits, and baking spices, with subdued peat, conjures up a drink of rich, Christmas-y flavors and a slightly bitter orange balance. The unmistakable Islay qualities of smoke and maritime with an Islay Blended Scotch whisky like Black Bottle yields a drink that is big and toasty in flavor but a bit less thick in mouth-feel (due to the inclusion of the grain whisky in the blend). Depending on the scotch selection, one may also prefer to adjust the amount or type of sweet vermouth. Richer vermouths, like Carpano Antica, can stand up to the more flavorful whiskys, while light Dolin sweet vermouth brings out nuances in the base whisky.
Another delectable classic is the Blood & Sand, the Rudolph Valentino silent film that tells the tragic tale of a celebrated matador caught in a love triangle. The drink combines equal parts Blended Scotch, sweet vermouth, Peter Heering Cherry Brandy, and fresh orange juice shaken with ice and topped with an orange twist. The final piece is a must-have, combining fruity, orchard sweetness with the malty, spicy hints of blended whisky. The balance is critical in this drink, and too much peat will overpower the bright fruits of the other ingredients. Dewars and Johnnie Walker Red are affordable blended Scotches that shine in the Blood & Sand.
One of our favorite cocktail ingredient to use when mixing with whisky is sherry. Scotch producers often use Oloroso casks to mature whisky, adding these richer flavors to the spirit. These roots are what makes these two spirits work so well together. Dry sherries (fino, manzanilla and most amontillado) provide maritime, hazelnut, and citrus flavors, while richer Oloroso and Pedro Ximenez (PX) sherries bring roasted nuts, spice, cocoa, caramel, and dried fruit. Macallan single malt whiskies are the classic exponent of the sherried style.
Different sherries match well with different kinds of Scotch in cocktails. Smoky, maritime scotches such as the Islay Black Bottle or the famous Ardbeg single malt mix brilliantly with seaside-matured manzanilla from Hidalgo or Lustau. The nutty flavors of Macallan pair well with amontillado. And Glenmorangie’s orange and spice notes provide a firm undertone for the more, mouthfilling and chocolate or cocoa notes of PX.
The splendor of Scotch in these moments is its versatility, but its worth is best discovered when in balance with its companions. Spend some time fiddling around with the different types of Scotch whiskies in cocktails and you’ll undoubtedly uncover something surprising and tasty.
Skyhawk (variation on the Classic Rusty Nail) -Chantal Tseng, Tabard Inn
1 1/2 oz. Macallan 12 yr. Scotch
3/4 oz. Drambuie
3/4 oz. Fresh-squeezed grapefruit juice
Dash Regan's Orange Bitters
Orange Twist
Combine all ingredients over very cold ice in rocks glass and stir. Garnish with orange twist. (If you substitute the Macallan with a blended Scotch, you can use up to 2 oz. of whisky.)
Supreme Clientele - Adam Bernbach, Bar Pilar
2 oz. Highland Park 12yearr
3/4 oz. Macaroni Chinato
1/4 oz. Luxardo Maraschino Liqour
2 dashes Fee Bros. Old Fashioned Bitters
Stir. Strain. Garnish with cherries.

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I gave up on single malts after I found it impossible to enjoy any. Some were too smoky, some were too nutty, some tasted like bong resin strained through a homeless man's sock. After blowing $150 on single malts, I learned an expensive lesson: they blend that $h!t for a reason.
Clan Macgregor and seltzer FTW! 1.75 liters for $19, bitches! Great for refilling those empty bottles of Johnny Walker Red.
I enjoy a good cocktail, but I can never bring myself to mix single malts with anything. Lagavulin neat, water back.
Naah, I'll take a good Islay specimen any day.
And I wouldn't dare making some damned concoction with it. For my money, screw the cocktail mixy crap. Just put it in a glass and sit'er down, dammit.
ah. suddenly very thirsty. Who in this town sells the Bowmore cask strength? Answer me!
Ice! Water! No mixers...but that chocolate sounds like a crazy idea. Hey! You got your scotch in my chocolate!
Hey! You got your chocolate in my scotch!
Hey! You got my scotch on your crotch! Aww! Man! I lost it.
why the f would you mix your whisky? they make mixers for a reason - crappy spirits. thus the jack and coke. no one asks for a dalmore and coke.
dalmore 30yr? ahhh sweet water of the gods
even the less flavorful whiskeys i wouldn't mix. jameson and a small ice cube is enough
Scotch and soda. Simple, tasty, to the point.
I see I am among friends here.
I had a Blood and Sand at Founding Farmers and was underwhelmed. With a name like that I thought it was going to be a hard but enjoyable cocktail. It could've been the bartender as I've never had one before. Can anyone elaborate? The drink left me with no reaction It wasn't bad, but it wasn't good, it was like drinking water, no wow factor.
I was recently at Founding Fathers and they described their drinks menu as containing "pre-Prohibition cocktails". Wasn't the cocktail largely created during Prohibition, using mixers to kill the taste of the rotgut that bootleggers peddled? A pre-Prohibition cocktail was a nice warm glass of rye. That place tries too hard.
Jerry Thomas, considered the father of the cocktail, started slinging drinks around during the 1860s - long before Prohibition.
Scotch and soda, mud in your eye.
Baby, do I feel high, oh, me, oh, my.
Do I feel high.
Dry martini, jigger of gin.
Oh, what a spell you've got me in, oh, my.
Do I feel high.
People won't believe me.
They'll think that I'm just braggin'.
But I could feel the way I do and still be on the wagon.
All I need is one of your smiles.
Sunshine of your eyes, oh, me, oh, my.
Do I feel high.
People won't believe me.
They'll think that I'm just braggin'.
But I could feel the way I do and still be on the wagon.
All I need is one of your smiles.
Sunshine of your eyes, oh, me, oh, my.
Do I feel higher than a kite can fly.
Give me lovin', baby. I feel high.