Ponytail @ DC9

2009_0426_ponytail.jpg
Photo by Kris Scofield
Anyone who feels that frequent shrieking and howling are masks for an inability to sing need not listen to Baltimore's Ponytail. While Molly Siegel certainly isn’t a vocalist who solely screams at pitches usually reserved for dog whistles, she opts for cooing, whooping and grunting in lieu of uttering actual words. As such, Ponytail walks a tightrope between utterly infectious and thoroughly irritating. But judging by the utter excitement of the crowd at DC9 last Thursday, last week D.C. was decidedly with the yaysayers.

Siegel tends to be the focal point because her proverbial stylings don’t sound like any other singer on the popular, or even slightly underground radar. While she definitely owes credit to the riotgrrl movement, and even more credit to the intangibles of Animal Collective’s Avey Tare and Pixies’ Black Francis, she’s removed any traces of anger. Siegel oozes glee and luckily, has enough sounds in her arsenal to keep the music interesting. It’s clear by some of her strange arm movements and facial expressions that this is not someone who has ever practiced in front of a mirror. She just flails about onstage, eyes rolled back into her head as if she’s either exorcising some weird demon or having the time of her life.

The DC9 audience ate it up. The riffing of guitarists Ken Seeno and Dustin Wong and the drumming of Jeremy Hyman aren’t nearly as abstract as the vocals, but have the same sort of joy and energy. There’s a catchiness to the guitar melodies that recalls a less proggy and more immediate Boris or Deerhoof. While this combination received a fair share of head nods on previous visits to the District, they noted, two songs in, that this was the best crowd they’d seen (complete with jumping, moshing and crowd surfing) and they came back for an encore that, judging by the questioning looks they shot each other after finishing strong with the 7-minute “Celebrate the Body Electric (It Came from an Angel),” they clearly had not planned on doing.

Actually, the show would have been better without it. Playing a cover required singing of honest to goodness words from Siegel and Wong. Coupled with a drop in tempo, the spell in which Ponytail had trapped the audience was slightly broken. It almost seemed like the precursor to the imminent crash that happens after an unadulterated adrenaline rush. But that was a slight misstep in a show that by sheer willpower may have pushed a few undecided listeners onto the pro-Ponytail side of the fence.

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Comments (3) [rss]

this review is spot on. loved it. my guest hated it. whatever. they rock so hard.

Wasn't that guy in Harold & Maude?

"Listen to them. Children of the night. What mu-u-u-sic they make."

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