It's exciting when a show with epic scope and epic ambitions translates into epic results.
It happens in Kennedy Center's production of Ragtime. Everything about this show is big – its soaring, steely set with no less than four staircases; its lavish costumes; the echoing sounds of its chorus and orchestral accompaniment (just hear them soar in the rousing Act I closer, "Till We Reach That Day"). The musical itself covers decades, intertwining the real-life triumphs and failures of historical figures stretching from Houdini to Henry Ford. But it also brings the story closer to home by focusing on some more down-to-earth characters – an ordinary-seeming family, a pair of immigrants and a couple of tragedy-struck African-American lovers.
When Ragtime first premiered in 1998, it was almost hard to believe it was a new musical, as it achieved kind of an instant classic status, with Stephen Flaherty's compelling, genre-crossing melodies, Lynne Ahrens' stirring lyrics and the thematic resonance Terence McNally brought to the adaptation. This production makes a strong argument for the show's staying power. Its opening number (and title song) beautifully demonstrates the contrast between the show's three main segments – the privileged white families, the Negros and the immigrants, with each group performing choreography and vocals in line with their identities.
Whether central figures or not, the performers in Ragtime still put their own signature on their roles. As the dashing – and eventually, vengeful – Coalhouse Walker Jr., Quentin Earl Darrington adds a little humility to the charming character, and his rage builds slowly but steadily. Bobby Steggert brings an almost sociopathic quality to the role of the "younger brother" searching for something, which makes his meandering even more desperate. As Father, Ron Bohmer concentrates most on the character's stuck-in-the-mud conservatism, rendering him less sympathetic than some other interpretations - the song "Journey On" does lose some of its optimism as a result, but the cynicism isn't necessarily misplaced.
But it is Christiane Noll who is most riveting as Mother, a woman left behind for a year by her husband who finds herself making choices she'd never expect from herself. The clear-voiced Noll (it's great the Broadway regular has found such worthwhile work in D.C. lately) brings much strength of character to the roll, and is so winning that it's easy to become invested in her triumph. She and Manoel Felciano as Tateh, a street vendor-turned-film-director, infuse the heartbreaking "Our Children" with much romantic tension, and Noll's self-realizing "Back to Before" vies for the role of the show's climax.
Ragtime runs through May 17 at the Kennedy Center. Tickets (which appear to be sold out) are sold online.
Update:Looks like while some shows are sold out, there are seats left for Ragtime, so get them while you can.

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Thanks for getting my hopes up and then crushing them with the "sold out" news.
My talented friend Eric Young actually plays Booker T. Washington. Manoel Felciano is Tateh.
Thanks, IeQ. Entrada, perhaps Craig?
Actually if you go on the Kennedy Center's website they ARE NOT sold out. The only performance that is currently sold out is tonight's. It appears they have seats at all other shows.
Actually if you go on the Kennedy Center's website they ARE NOT sold out. The only performance that is currently sold out is tonight's. It appears they have seats at all other shows.
Actually if you go on the Kennedy Center's website they ARE NOT sold out. The only performance that is currently sold out is tonight's. It appears they have seats at all other shows.
Actually if you go on the Kennedy Center's website they ARE NOT sold out. The only performance that is currently sold out is tonight's. It appears they have seats at all other shows.
Actually if you go on the Kennedy Center's website they ARE NOT sold out. The only performance that is currently sold out is tonight's. It appears they have seats at all other shows.
vtHokies, so if I go to the Kennedy Center website, will I see that they are sold out?
Definitely not sold out. There are still seats left for most performances. Check on the KC website or call their box office if you want to see the show. I saw it last week and it's great!!