Sucker Punch: Journeymen's Tartuffe

2009-5-27-Tartuffe-Terrill-Beall.jpg
Jesse Terrill tries Steve Beall's patience in Journeymen's sharp production of Moliere's Tartuffe.
Written by DCist contributor Andrej Krasnansky.

How can a 17th-century play, written entirely in rhyming couplets and aimed at the French aristocracy, be relevant today? The same way even Clinton-era South Park is still enjoyable: Concentrated satire has a long shelf life.

Moliere's play Tartuffe portrays a rich man, Orgon, taken in by Tartuffe, a sinner wearing the hairshirt of a saint. Orgon places all of his faith and most of his possessions into the hands of the hypocrite, and nothing his family says can convince Orgon that Tartuffe is a sham until it's almost too late.

Under the direction of Karl Kippola, Journeymen Theater's production casts a sympathetic light on Orgon. The character could have been played as a fool, blind to Tartuffe's mocking misuse. Instead, Steve Beall portrays Orgon as a good man who earnestly believes with all his heart. Beall's Orgon is strong, sympathetic, and also dignified. There is a conscious choice to treat Orgon kindly, as he could be a stand-in for any person today who has felt duped by religious or political figures.

Kippola seems very concerned with making Tartuffe accessible as well. Before the play begins, he has Flipote, played by Emily Formica, recite a rhyming introduction, introducing the audience to the characters and winking about all the "multiple Helen Hayes we expect to be winning." Then, before and after every scene, Formica sings prettily in French. The song fits with the parlorlike set and the aristocratic costumes, and it could pass without explanation, and yet even the few lines of French are made accessible; they are translated simultaneously by Tartuffe's servant, Laurent, played by Michael Harris. Every effort is made to bring the classic play to a contemporary audience with as much reverence to the original as possible.

The rhyming couplets that make up all the dialogue are not Dr. Seuss. The talented cast brings humor, honesty, and wit to the lines, crafting each couplet to flow naturally from the characters' lips. Sarah Holt wields the cane of Mme. Pernelle, Orgon's mother, with authority and dignity. Orgon's wife, Elmire, is played by Lindsay Haynes, who shows grace and great comedic timing when evading Tartuffe's advances and when chiding her husband. Jesse Terrill as Tartuffe misses some comedic beats, but he oozes the slime of the religious imposter so well you could easily see him on a televangelist show. His over-the-top confessions and airs call to mind the public apologies of shamed officials we could name.

Journeymen Theater Ensemble performs this play in the Church Street Theater without air conditioning, but the period costumes the actors wear make you feel cool by comparison. Brave the heat and catch this honest, faithful, and all-too-relevant play.

Tartuffe is at the Church Street Theatre through June 13. Tickets are available here.

Email This Entry


Comments (4) [rss]

I have tickets to this on the 3rd. Looking forward to it - and now I know to wear layers.

It is a great play; very funny.

This play is hilarious! It was very entertaining and a good 2 hours of respite and escape into a world of comedy and talent after the busy work days!

The air conditioning is fixed! Bring a sweater.

Post a comment (Comment Policy)

Tips

About DCist

DCist is a website about Washington, D.C. More

Editor: Sommer Mathis Publisher: Gothamist

Twitter

Contribute

Latest Tip:

We went to the Macy's at 12th & G this morning for the Black Friday morning specials. There was a sh
[more]

Latest Photo:

Recent Comments

Subscribe

Use an RSS reader to stay up to date with the latest news and posts from DCist.

All Our RSS