Akron/Family @ Rock and Roll Hotel

Before starting their set at the Rock and Roll Hotel on Tuesday night, the members of Akron/Family taped up a torn American flag with a blue and white tie-dyed square in the upper left hand corner. This flag, which adorns the cover of Akron/Family's latest release, Set 'Em Wild, Set 'Em Free, might initially give the impression that the band are followers of the Book of Phish and that album title, a mantra torn from one of those pages. And Akron/Family certainly projects a communal atmosphere and engages in some extended improvisations. But the sheer expanse of their stylistic range keeps them from being pigeonholed as a "jam band." They're far more interesting.

"Freak folk" is another term frequently attributed to the trio, and they certainly worked the folk element early on in their set. With barebones yet ambient instrumentation on their first three songs, including Set 'Em Wild standout "River," Akron/Family seemed to build on the same vibe as their opener, Wand. Wand was a Nashville folk guitarist who loved warm toned guitars and vocals, steel pedals and Elizabeth Cotton. But as soon as Akron/Family created a mood, they set about changing it entirely.

The "freak" element came into play as soon as they started picking up instruments from their Table o' Toys. These toys included everything from the recorders and Casio keyboards that felt like a throwback to elementary school days to various pedals and vocoders. Suddenly, the ambience was no longer that of a slowly trickling river, but of a haunted forest, complete with screaming banshees.

Then suddenly, Akron/Family had no more interest in solely impressing the audience. Singer/bassist Miles Seaton implored with varying degrees of exasperation that the audience join in on the party. The band has been known to bring other musicians onstage with them but as Seaton noted, "There's only three of us up here!" and particularly called out the underage portion of the crowd to start the party in the audience. They did their part by playing a ridiculously energetic trio of "Ed is a Portal," "Love, Love, Love" and "Everyone is Guilty," complete with psychedelic solos that would have made Led Zeppelin and Pink Floyd proud. But the improvisations were never self-indulgent and were frequently punctuated with call-and-response sing-a-longs and calls to wave hands in the air.

The band honestly could've ended with their cool-down a cappella number, "Last Year," but the audience was fired up enough to ask for a return and the rest were staring at the stage with a sort of befuddled wonder. After a quick performance of "Auld Lange Syne" (yes, really), Akron/Family launched into fan favorite "Raising the Sparks," which took the set past the midnight mark. It was never easy to tell whether Akron/Family had just played one very long song or run three songs together. But considering their seamless ability to merge styles and play off of each other, the three men clearly call themselves "Family" for a reason.

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I used to work at a venue where they would play, and those dirty trustafarians would smoke more dope than anyone I have ever seen. Good times.

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