DCist Interview: Sarah Silverman

2009_10_21_silverman.jpg Over 60 comics are about to descend on D.C. for the Bentzen Ball, a four day collection of comedy performances at venues ranging from the 9:30 Club and the Black Cat to the Studio and Lincoln Theatres, and even Ben's Chili Bowl. Presented by our friends over at Brightest Young Things, and curated by comic Tig Notaro, it surely must be the biggest comedy festival to ever hit the nation's capital.

Plenty of big names are on the schedule, among them festival opener and local boy made good Patton Oswalt (whom we interviewed earlier this year), and Sarah Silverman, who performs at the final show at the 9:30 Club on Sunday. Silverman has been busy lately, to say the least, just finishing up shooting the third season of Comedy Central's The Sarah Silverman Program, as well as initiating a bold new campaign to end world hunger. In between all that, she was kind enough to answer a few brief questions from DCist.

What do you enjoy doing most these days? Stand-up, TV, film?

Right now I've been working on the TV show for six months, and my stand up is so shitty, because I haven't been doing it enough. I need to take some time and go to NYC and work stuff out and get back on track.

Your act, whether your stand-up or your show, is very much about a making a caricature of yourself; how much of the real you makes it into that caricature? How do you decide where that line is?

I don't think too much about it. I would say my character on the show is more Bugs Bunny than me.

Of the work you've done so far, what are you proudest of? What was the most fun to do?

I love the show and working with everyone there. We're all friends. Same with stand-up. Tig said, 'Let's all go to D.C. and be together and laugh and raise money for wounded soldiers.' We all get to hang out and see each other, and it's for such a good cause. It's gonna be super fun.

How much do you watch your previous work? What are the advantages & disadvantages of doing so?

Not much. Though I'm watching the show in all its incarnations as we edit. So, I'm kind of past the stage where you freak out seeing yourself.

It seems that at some point in the career of every comedian who goes into acting, there comes the inevitable "serious" lead role. Do you have any desire to go there? If you did, what sort of role would you like it to be or could you really see yourself doing?

Hmm...I don't know...Black Beauty's life story?

I once read you compare your approach to comedy to Peter Sellers' character in Being There, in that you just do what you do, and if people find something profound in it, that's mainly in their perception/reaction, because you're just trying to go for laughs. Are there comics who can TRY to say things of significance, and succeed at both that and being genuinely funny, or does the funny necessarily suffer when you've got an agenda to get across?

I don't know. I think when you see someone "trying," it's a turnoff. You can't force people to infer what you want them to infer. I think it's best not to control it or even consider it – best to focus on what's on your mind and what's making you giggle. And if it's aggressively dumb, great, and if there's something someone gleans from it, super. But once it's out there, it's theirs. It's not for you to define. Is that corny? I think I just preached not to deconstruct while deconstructing.

Since we've touched on a film there, what movies, or performances in the movies have really made an impact on who you are as a performer?

Rushmore, Defending Your Life, Ordinary People, The Squid and the Whale, Groundhog Day, Jesus' Son.

Without getting spoiler-y, is there anything you can tell us about what we can expect from the third season of The Sarah Silverman Program?

It's the best season yet, for sure.

How is your "Sell the Vatican, Save the World" campaign going?

I don't know. But doesn't it make sense?

The Bentzen Ball opens tomorrow and runs through Sunday. See their website for the full schedule, and purchase tickets here.

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