Chris Klimek

There’s a huge star at the center of the Sydney Theatre Company’s much-hyped, Liv Ullman-directed, wholly satisfying new staging of A Streetcar Named Desire, which sold out its Kennedy Center run before the curtain rose on the first preview. I speak, of course, of the dramatist Tennessee Williams. That’s... continue reading on DCist

More than ever on the concert circuit, nostalgia is the move. With everyone from Liz Phair to Public Enemy to The Pixies (and those are just the P's) devoting gigs and sometimes entire tours to reviving their seminal albums in sequence, lots of long-lived performers — particularly those strugging... continue reading on DCist

Nick Lowe likes to keep things simple these days. Nick Lowe titled the career-spanning compilation he released earlier this year Quiet Please, and it ain't false advertising. The softer, sadder, more introspective country-soul phase Lowe commenced with 1994’s The Impossible Bird now comprises the entire second half of his... continue reading on DCist

Mike Birbiglia, dressed for success. Mike Birbiglia remembers when the room was a lot smaller. He's headlining Saturday night at the Warner Theatre, where he'll tell some stories he’s considering for inclusion in his next one-man show. But he cut his teeth at the DC Improv in the late... continue reading on DCist

Few writers have managed to pin the millennial male ego under glass the way Nick Hornby has. In his comic novels High Fidelity, About a Boy, and the new Juliet, Naked, among others, Hornby picks apart our vanity and insecurity in ways that are as scary as they are... continue reading on DCist