The sprawling anthology—wherein we follow a large number of characters as their lives overlap but rarely intersect directly—has been a constant presence at the movies for years. Although the genre was once an exclusive territory to which Robert Altman seemed to own the only set of keys, since the mid-90s, Quentin Tarantino, P.T. Anderson, and Alejandro González Iñárritu have all followed this loose pattern to big success—the producers of 2004’s Crash even got a Best Picture Oscar for their trouble. The anthology is less common in the theatre, where it poses practical problems. Lots of characters means lots of actors. Double or triple-casting would only further muddy the question of who’s who, which is always foremost in the minds of directors asking an audience to remember so many characters who individually have only meager stage time in which to form a lasting impression. more ›

FRIDAY: >> Friends 'o DCist Middle Distance Runner have had quite a ride since playing our special Unbuckled/Anniversary concert last September. Despite a few bumps on the road, they've gone from little band that could to having their first headlining slot at 9:30 club tonight. We'll say we knew them when. With The Dance Party. 10 p.m., $10. >> Akron/Family impressed the pants off of critics in 2005 with their self-titled neo-folk stylings. They'll be... more ›

Amid alcohol, music, rain, and a little glam rock style, the 2006 Restaurant Association of Metropolitan Washington awards -- a/k/a the RAMMYs -- were handed out last night at the Marriott Wardman Park Hotel in Woodley Park. Fabio Trabocchi's Maestro took home the Best Picture equivalent by winning the award for top Fine Dining Restaurant in the D.C. area, while tapas king Jose Andres earned Chef of the Year honors. Among the other victors were... more ›