Classical music has come back from summer vacation, and that means you actually have a choice of concerts this week. Most importantly, many of the city's leading groups are opening the season with glittering events. Look for reviews next week. >> Washington National Opera is opening its fall season with one of the most popular operas in the repertoire, Puccini's La Bohème (September 15 to 30). For all its audience-pleasing qualities, this opera is a... more ›

Last year's celebration of the 100th birthday of Dmitri Shostakovich, on September 25, fizzled out somewhat here in Washington. This week, dedicated listeners had the chance to take their fill of the Russian composer's music. After a thundering concert performance of Lady Macbeth of Mtsensk by the Kirov Opera on Sunday, it was the Emerson Quartet who brought the early half of their complete cycle of Shostakovich's fifteen string quartets, played to great acclaim in London and other places (available in a live recording made at the Aspen Music Festival several years ago). On Monday, Tuesday, and Wednesday evening in the sold-out Kennedy Center Terrace Theater, the most attentive audience in recent Washington history heard the first eight string quartets and the piano quintet. With coughing and other distracting noise kept to a striking minimum, one had the feeling of being in the company of serious listeners. A man in front of me cupped his hand to his ear to focus on the quartet's sound if there was too much rustling of programs near him. more ›

As reportedly happened during the Kirov Opera's visit to Washington last year, the best performance of the group's residency this week at the Kennedy Center was saved for last. On Sunday afternoon, conductor Valery Gergiev led a concert performance of Dmitri Shostakovich's modern opera Lady Macbeth of Mtsensk that was an incendiary triumph. Combined with the three evenings of Shostakovich's chamber music from the Emerson Quartet on my schedule this week, the Russian composer's... more ›