A more humbled Mike Daisey sat before an audience at Woolly Mammoth Theatre Company last night in the latest round of handwringing over his monologue The Agony and the Ecstasy of Steve Jobs. more ›

Mike Daisey, the writer and performer of The Agony and Ecstasy of Steve Jobs, will address the fabrication controversy over his monologue at Woolly Mammoth Theatre Company on Tuesday. more ›

Woolly Mammoth Theatre Company announced today it will no longer present Mike Daisey's The Agony and the Ecstasy of Steve Jobs as a work of non-fiction. more ›

Mike Daisey, whose last monologue, The Agony and Ecstasy of Steve Jobs was both hilarious and thought-provoking, returns to Woolly Mammoth Theatre Company in the 2012-2013 season with a new work. more ›

In Jason Grote's Civilization (all you can eat), premiering this month at Woolly Mammoth Theatre Company (after a three-show festival run last summer in New York), U.S. society is boiled down into a bunch of gluttonous, frenzied, sexually frustrated consumers. In other words, just about normal. more ›

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Howard Shalwitz, the longtime artistic director of the Woolly Mammoth Theatre Company, co-founded the theatre back in 1980--at a time when the repertory of American plays was limited to academic classics and NYC vogue. With a commitment to new approaches to theatre and a devotion to bringing new playwriting voices into the limelight, Woolly has had not just a tremendous national impact, but has been an important local influence as well as a partner in community development and a force for bringing new audiences to the theatre. Against the backdrop of the Capital Fringe Festival, DCist took to the interwebs to ask him about Woolly's Fringe-minded roots and the Festival's future in the city. more ›

Who will win the Battle of the Batty? In Woolly Mammoth Theater's production of The Gigli Concert, each character is a contender. more ›