In their first feature film, Unknown (which opened at the E Street Cinema on Friday), director Simon Brand and screenwriter Matthew Waynee demonstrate that they have absorbed the lessons of thrillers like Reservoir Dogs, True Romance, Memento, Pi, Sixth Sense, and The Usual Suspects. That is, a thriller's thrill comes from delaying the audience's understanding of the real circumstances and motivations of the characters as long as possible. If the screenplay can keep the characters from knowing much about it either, so much the better. Unfortunately, that is just not possible without some believable gimmick. Unknown may not be not as good as any of the models listed above, but it is a solid first attempt at the genre. Enough for the Weinstein brothers to distribute the film independently, in a select few locations, as well as by video-on-demand through IFC Films. more ›

SFist commeters pose for before and aftershocks when the mayor commemorates a 1906 earthquake...at 4:30 in the morning. A hot tip on the Chronicle vending machines comes in and the SFist war correspondent risks life and limb to post this dispatch from the frontlines. Houstonist announces their new Cops spinoff "World's Funniest Tazer Videos" and the possible cancellation of their pervs' "World's Grossest Bathroom Videos" and PBS trains cams on cows at, uhg, Mootube. Also,... more ›