FRIDAY: >> It may be that we've simply gotten so, so, so many press releases about The Horrors show tonight at the Rock and Roll Hotel, and we've been beaten into submission to mention it. Give the punky-garage rock revivalists a chance for $12 at 8:30 p.m., and let us know if they're worth all the fuss. Seattle's Schoolyard Heroes open, plus locals Scanner Freaks. >> One of the most anticipated new hip hop albums... more ›

The sprawling anthology—wherein we follow a large number of characters as their lives overlap but rarely intersect directly—has been a constant presence at the movies for years. Although the genre was once an exclusive territory to which Robert Altman seemed to own the only set of keys, since the mid-90s, Quentin Tarantino, P.T. Anderson, and Alejandro González Iñárritu have all followed this loose pattern to big success—the producers of 2004’s Crash even got a Best Picture Oscar for their trouble. The anthology is less common in the theatre, where it poses practical problems. Lots of characters means lots of actors. Double or triple-casting would only further muddy the question of who’s who, which is always foremost in the minds of directors asking an audience to remember so many characters who individually have only meager stage time in which to form a lasting impression. more ›