DCist's highly subjective and hardly comprehensive guide to the most interesting movies playing around town in the coming week. more ›

Night of the Living Theater...by Dead Playwrights largely presents exactly what you'd expect to happen if notable writers from the ages were asked to take their scripts to modern-day producers and pitch them for Hollywood treatment. But while the five works highlighted in the piece may frequently lack surprises, the work as a whole still adds up to enjoyable, briefly-diverting entertainment. The best of the short skits is "A Lot of Talking", which smartly echoes... more ›

The sprawling anthology—wherein we follow a large number of characters as their lives overlap but rarely intersect directly—has been a constant presence at the movies for years. Although the genre was once an exclusive territory to which Robert Altman seemed to own the only set of keys, since the mid-90s, Quentin Tarantino, P.T. Anderson, and Alejandro González Iñárritu have all followed this loose pattern to big success—the producers of 2004’s Crash even got a Best Picture Oscar for their trouble. The anthology is less common in the theatre, where it poses practical problems. Lots of characters means lots of actors. Double or triple-casting would only further muddy the question of who’s who, which is always foremost in the minds of directors asking an audience to remember so many characters who individually have only meager stage time in which to form a lasting impression. more ›

Once upon a time, in a dirty and slightly sticky corner of the motion picture industry, there were films produced purely for the sake of feeding audiences' seemingly endless appetite for gaudy sex and near pornographic violence, often slathered with buckets of unnaturally red viscera and always with a splashy title and equally eye-catching poster. The rise of independent cinema in the 1970s made for an explosion of these low-budget features, and audiences hungry for... more ›