Our occasional series "Secret History" features profiles of classic D.C. albums as a way of looking back at the District's contributions to music over time. In this installment, DCist speaks with members of Edsel about the band's major-label debut, Techniques of Speed Hypnosis (Relativity, 1995).
Our occasional series, "Secret History," features profiles of classic D.C. albums as a way of looking back at the District's contributions to music over time. This time around, we revisit Hoover's powerful debut LP, The Lurid Traversal of Route 7 (Dischord, 1994).
Our occasional series, "Secret History," features profiles of classic D.C. albums as a way of looking back at the District's contributions to music over time. This installment finds DCist reminiscing over Unrest's final LP, Perfect Teeth (Teenbeat/4AD, 1993).
Our occasional series "Secret History" features profiles of classic D.C. albums as a way of looking back at the District's contributions to music over time. This installment looks back at Trans Am's post-rock triumph, Surrender To The Night (Thrill Jockey, 1997).
Our occasional series "Secret History" features profiles of classic D.C. albums as a way of looking back at the District's contributions to music over time. In this installment, we revisit Velocity Girl's ¡Simpatico! (Sub Pop, 1994).
Our occasional series "Secret History" features profiles of classic D.C. albums as a way of looking back at the District's contributions to music over time. In this installment, we take a look at Tsunami's Deep End (Simple Machines, 1993).
Our occasional series "Secret History" features profiles of classic D.C. albums as a way of looking back at the District's contributions to music over time. In this installment, we take a look at the Nation of Ulysses's 13-Point Program to Destroy America (Dischord, 1991).
Our new occasional series, "Secret History", features DCist contributor Brandon Gentry profiling classic D.C. rock albums as a way of looking back at the District's contributions to music over time. To start the series, he takes a look back at the Dismemberment Plan's Emergency & I (DeSoto, 1999).
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