Séraphine Louis (1864-1942, dite Séraphine de Senlis), the subject of the recent film Séraphine, is not exactly an unknown painter. Her work is found in only a few museums now, including the Museum of Modern Art in New York (Les Pommes and Tree of Paradise). She was a naive painter, an ultimately unsatisfactory but unavoidable term indicating that although she was untrained, she painted as a sort of compulsion, what now is sometimes called visionary art. Director and screenwriter Martin Provost drew most of the material for his film from the work of Françoise Cloarec, who has also just published a version of her thesis on the painter with Editions Phébus. Provost has come out of practically nowhere as a director, his last film Le ventre de Juliette having won a prize at the 2003 Avignon Festival, to come close to a clean sweep of this year's César Awards, the French Oscars, with this beautifully crafted movie.
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