Monday >> This past December, Matthew Ryan released his latest album, From A Late Night High-Rise, a collection of songs inspired by the death of his friend and the sentencing of his brother to 30 years in prison. Tonight you can experience his acoustic contemplations on stage at Iota Club with Tim Easton. 8:30 p.m., $12. >> Do you want to see Silver Spring's Flaming Cooters? Did you ever think you would hear those words...
Results tagged “thewhips”
Though the week was shorter than usual, plenty happened. We found out how many Metro workers it takes to change a light bulb, interviewed Aberdeen City, demanded that out-of-staters register their cars, and welcomed the Inter-County Connector. We discussed how to best secure a bike, cooked up some karahi, demanded some accountability from local cabbies, and found out that the District was getting screwed on federal anti-terror dollars. We checked out Pearl Jam, found...
In the early 1980s, Washington, D.C. was a mecca for hardcore punk music. The scene was so pure and original that it drew young rockers from literally all over the country, each wanting to mix it up with the original gods of this new radio-unfriendly sound. The names are quite familiar: Minor Threat. Scream. Jawbox. Soulside. State of Alert. Government Issue. Faith. The D.C. hardcore scene was a catalyst for the careers of Henry Rollins and Dave Grohl, while others stayed local like Dischord founder Ian MacKaye who later fronted Fugazi. It was incredibly influential on young rock musicians looking for something beyond the radio and MTV -- sounds which now traditionally define the era -- and spawned a second wave of bands in the 90s (an era which is aptly titled post-hardcore). Two such bands were Trusty and Circus Lupus, both of which moved halfway across the country to join the D.C. hardcore scene and later were signed to Dischord. Another group, Worlds Collide, was formed by Chicago transplant Matt Burger who came to drink the waters of this rock oasis. And for those who were content in their native lands, groups like Squatweiler from North Carolina still were influenced by the underground rock coming out of D.C.
Three Stars is back! This month we'll take a look at Timothy Bracken Complex, The Whips, and kick things off with Rome In A Day.
FRIDAY: >> You just can't say the D.C. music scene doesn't care. Check out the 2-night Katrina's Piano Fund benefit concert at Black Cat, featuring a packed line-up of local acts. Friday's got Monopoli, the Routineers, the Washington Social Club, the Ambitions, Andy Zipf, and DJ Will Eastman. Saturday is Wooly Mammoth, The Whips, Owls and Crows, Edie Sedgwick, Rose, andDJ lil' e. $12 for one show, or maximize your band-to-dollar ratio and pay just...
FRIDAY: >> If you're not Black Cat-ed out from the Unbuckled concert last night, head over to the mainstage to catch an indie-tastic show with The Whips, Her Daily Obsession (at right), and The Hard Tomorrows, all of whom we hear will put on one hell of a show. Doors are at 9:30 p.m.; $8. >> If you missed a screening of "9:30 F ST," the documentary about the old 9:30 Club, worry not --...
Yes, yes, we know -- we're late this week with the musical agenda. We were checking out the beautiful city of one of our sister blogs, but now we're back and ready with the shows of the week. WEDNESDAY: >> California band Eagles of Death Metal (a side-project of the frontman for Queens of the Stone Age) play the Black Cat with local group The Whips (whose mp3s you can listen to here). And a...

Car Pushed Into Anacostia River By Train