After a spring season of more challenging operas — a vicious Peter Grimes and a controversial, Americanized Siegfried — Washington National Opera brought home the bacon on Saturday night, opening its final production, Puccini's Turandot. The company presented this opera last time only in 2001 (with Alessandra Marc in the title role), and the Kirov Opera brought its road staging to the Kennedy Center in 2006. To answer the natural question — do we really need to see Turandot again so soon? — the company brought the colorful, somewhat slapstick, but still disturbingly savage production created by Andrei Şerban for Covent Garden 25 years ago (with none other than Plácido Domingo as Calaf) to Washington. Since most of the singing was quite good and the orchestra sounded in top form, this is indeed a production worth seeing.
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DCist Goes to the Opera: Turandot
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