Entries from DCist tagged with 'washingtonnationalopera'
September 3, 2008
The Washington National Opera naturally wants to increase the audience for opera in the nation's capital. To that end, its last couple seasons have featured a free simulcast of one of its productions via an immense screen on the National Mall. Large crowds have shown up, with better or worse results depending on the weather. This year, the company has just announced, it will slightly modify this program, by offering its free broadcast to crowds......
Continue Reading "Take Me Out to the Opera"May 27, 2008
Dolora Zajick and Salvatore Licitra in Cavalleria Rusticana, Washington National Opera, photo by Leah L. JonesTo cap off its 2007-2008 season, the Washington National Opera is offering a boldly flavored, if hardly unusual digestif, a concert performance of Mascagni's Cavalleria Rusticana. Shrewdly programmed concert performances of opera, like many of those offered by Washington Concert Opera, are opportunities to perform a relatively unknown works by a well-known composer (Rossini's Tancredi or Bianca e Falliero)......
Continue Reading "DCist Goes to the Opera: Cavalleria Rusticana"May 12, 2008
Susan Bullock as Elektra, Washington National Opera, 2008 (photo by Karin Cooper)Washington National Opera opened its final production of the season on Saturday night, Richard Strauss's 1909 opera Elektra. This opera is in a sense an extension of the verismo style, just with a much better orchestral score and less vulgar melodies. It takes on ancient stories, from Greek mythology, and shockingly refracts them through the lens of modern psychology. Carl Jung used the......
Continue Reading "DCist Goes to the Opera: Elektra"May 2, 2008
Plácido Domingo (Bajazet) in Tamerlano, Washington National Opera, 2008 (photo by Karin Cooper)For a few years, reports have been coming from Europe of major opera houses pairing up with historically informed performance (HIP) ensembles to present Baroque operas. Such residencies combine the staging power of a full-time opera company, as well as major opera singers, with the musical specialization of a well-established early music group and its regular conductor. Washington National Opera experimented with......
Continue Reading "DCist Goes to the Opera: Tamerlano"March 31, 2008
Carlos Álvarez as Rigoletto, Washington National Opera, 2008, photo by Karin CooperRigoletto, premiered at Venice's Teatro La Fenice in 1851, is generally named as the first instance of Giuseppe Verdi's mature compositional voice. In terms of dramatic cohesion and musical sophistication, it is light years ahead of Ernani, an opera from 1844 with a remarkably similar background (the same librettist, Francesco Maria Piave, adapted a play by Victor Hugo for both operas, and both......
Continue Reading "DCist Goes to the Opera: Rigoletto"March 17, 2008
Alan Held and the Zombie Brides in The Flying Dutchman, Washington National Opera, 2008, photo by Karin CooperOn Saturday night Washington National Opera returned to the stage of the Kennedy Center Opera House, with a production of Richard Wagner's Der Fliegende Holländer. Wagner wrote his own libretto, drawing on a folk legend retold in a Heinrich Heine novella. The Flying Dutchman is a ghost ship, and its unnamed Dutch captain is condemned, because of......
Continue Reading "Flying Dutchman at Washington National Opera"November 8, 2007
Written by DCist guest contributor Michael Lodico The Washington National Opera’s production of William Bolcom’s operatic adaptation of Arthur Miller’s earthy play (premiered by the Lyric Opera of Chicago in 1999 and staged by Frank Galati) shows the company’s commitment to remounting new American operas after their premieres. The Chicago production, now being presented to D.C. area audiences by the WNO, also features three leads from the original production and the two arias added by......
Continue Reading "A View from the Bridge @ WNO"November 1, 2007
Before the curtain of the second performance of Washington National Opera's new production of Mozart's Don Giovanni on Monday night, conductor Plácido Domingo made an announcement. Happily, it was not to announce a cast change, but to draw the audience's attention to the fact that it was the 220th anniversary of the opera's first performance in Prague (October 29, 1787). This production is not likely to rank high on anyone's list of noteworthy versions of......
Continue Reading "Punishing the Rake: Don Giovanni at WNO"October 28, 2007
It is always good to know how your concert schedule is going to play out, and this week things could not be any clearer (and none of these events has sold out). Here is your list of what's good, what's free, and even some of what's both. THE BIG GUNS: >> A couple years ago, soprano Anne Schwanewilms was in the news because she replaced Deborah Voigt, when the latter could not fit into a......
Continue Reading "Classical Music Agenda"October 24, 2007
There are ways to attend an opera in Washington at a ticket price that will not make you cry. The easiest way is to go to a performance from one of the smaller or collegiate companies, where the reasonable ticket price will translate into hearing lesser singers or a piano or small instrumental ensemble instead of a full orchestra. If you want the true experience of opera, however — that "exotic and irrational entertainment" described......
Continue Reading "Several Reasons to Try Opera This Season"October 21, 2007
This is going to be an excellent week for serious listeners of classical music, with several major events headlining the agenda and some other good concerts on the sidelines. In the spotlight are a piano recital, a visiting orchestra, Russian music, and possibly the greatest opera ever composed. HEADLINES: >> Pianist Murray Perahia had to cancel his 2006 recital for Washington Performing Arts Society, because of renewed pain from a finger injury in the 1990s......
Continue Reading "Classical Music Agenda"October 14, 2007
Last week's battle of the orchestras may be eclipsed by this week's. Besides the local symphonic ensembles, there are some visitors in the ring, too. The common theme is the piano concerti of Johannes Brahms, both of them disarmingly beautiful pieces, and here is how we call it. THE ORCHESTRAS >> The week starts strong with the Cleveland Orchestra on Monday (October 15, 8 p.m.) in the Kennedy Center Concert Hall. Washington Performing Arts Society......
Continue Reading "Classical Music Agenda"October 7, 2007
The high point of this week in classical music is surely the Lieder recital by the superlative German baritone Christian Gerhaher and his regular pianist collaborator, Gerold Huber, sponsored by the Vocal Arts Society at the Embassy of Austria (October 11, 7:30 p.m.). Gerhaher's most recent Lieder recording is a knockout, and his program for Thursday night is devoted entirely to songs by Robert Schumann. THE SYMPHONY: >> Riccardo Chailly brings his La Scala Philharmonic......
Continue Reading "Classical Music Agenda"October 1, 2007
Ahh, rise and shine, Washington! It's another beautiful fall day, so stretch and breathe in deep ... but not too deep, unless you enjoy inhaling some of the worst air in the nation. Scientists are putting numbers on information our lungs already knew: the D.C. area "produces more carbon dioxide than several medium-size European countries," the Post reports. This is due primarily to Maryland's coal-burning power plants and our stand-still traffic, we make more carbon......
Continue Reading "Morning Roundup: Not So Fresh and Clean Edition"September 30, 2007
While no major event on the schedule this week trumps all others, there are several concerts that will merit your attention. Three of them are scheduled for Thursday night. If contemporary music was the headliner last week, this week it is early music. >> Opera Lafayette's bread and butter is in presenting obscure Baroque operas, usually French, sung by exceptional voices and with the help of their fine instrumental ensemble. The group opens its season......
Continue Reading "Classical Music Agenda"September 25, 2007
Washington Concert Opera presented the first half of their new season on Sunday night at an admirably full Lisner Auditorium. Rather than a more typical rarity, it was one of the gems of the bel canto repertoire, Vincenzo Bellini's late opera I Puritani, or as bad-girl soprano Anna Netrebko memorably put it, "crap." No one should ever mistake I Puritani for a dramatic masterpiece, but it does have some of the best, most polished, and......
Continue Reading "Washington Concert Opera: I Puritani"September 23, 2007
Without a doubt, the most important event in classical music this week is the opening of the Baltimore Symphony Orchestra's season. It will be the occasion of the official installation of Marin Alsop as the group's music director, the first woman to hold that position with a major American symphony orchestra. A celebrated champion of contemporary music, particularly by American composers, Maestra Alsop has come into her new job with a full head of steam,......
Continue Reading "Classical Music Agenda"September 18, 2007
Just one night after the Season Opening Night Gala hosted by Washington National Opera, another set of patrons (and the critics of the Baltimore Sun and Washington Post) came together to fill the Kennedy Center Concert Hall to open the National Symphony Orchestra's season on Sunday night. In terms of funds raised, it was the most successful opening ball in the NSO's history, according to Stephen Schwarzman, Chairman of the Board of Trustees and Blackstone......
Continue Reading "NSO Opens Season at the Kennedy Center"September 17, 2007
On Saturday night, Washington National Opera opened its fall season with an oh-so-edgy rendition of a tired old chestnut, Giacomo Puccini's La Bohème. It is the fifth mounting of this opera by WNO since 1984, which works out to a production every four or five years on average. Film director Mariusz Treliński created this new production for the Teatr Wielki in Warsaw, which also gave Washington his Butterfly and Andrea Chénier. The aim, laudable......
Continue Reading "Washington National Opera: La Ho-Hum"September 16, 2007
The classical music season got officially under way this weekend, and there will be more and more choices facing eager listeners. Even if you cannot afford all the concerts you want to attend, since local radio station WETA, at 90.9 FM, went back to a classical format, there is more local music on the airwaves, too. Tune in this evening (September 16, 7 p.m.) to the live broadcast of the National Symphony Orchestra's Season Opening......
Continue Reading "Classical Music Agenda"September 9, 2007
Classical music has come back from summer vacation, and that means you actually have a choice of concerts this week. Most importantly, many of the city's leading groups are opening the season with glittering events. Look for reviews next week. >> Washington National Opera is opening its fall season with one of the most popular operas in the repertoire, Puccini's La Bohème (September 15 to 30). For all its audience-pleasing qualities, this opera is a......
Continue Reading "Classical Music Agenda: And We're Back"June 4, 2007
Opera is a serious musical genre, the summa of high dramatic art. For some serious thoughts about the season just concluded by Washington National Opera, you could read the Opera Season in Review from last week. In a less exalted but equally important way, opera is about ostentation, and in that vein, there is one more glittering event that always makes the end of the season final in Washington, and that is the annual Opera......
Continue Reading "DCist Crashes the Opera Ball"May 31, 2007
>> Plácido Domingo conducts the orchestra and selected singers of the Washington National Opera in a special concert performance in the Music Center at Strathmore. A few tickets in the orchestra section remain at the box office, if you are looking for a last-minute luxury date. $68, 8 p.m. >> Time is running out to catch this year's Shakespeare Free For All, Love's Labor's Lost, at the Carter Barron Amphitheater. The final performance is......
Continue Reading "About Tonight"May 24, 2007
The 2006-07 season of the Washington National Opera comes to a close next week, with a concert appearance by several of its singers at the Music Center at Strathmore (May 31, 8 p.m.) and the last performance of its final production, Macbeth (June 2, 7 p.m.). It is time to take stock of the company's achievements this season and look forward to what it will offer the city next year. Four productions this season were......
Continue Reading "Washington National Opera Season in Review "May 21, 2007
>> As we mentioned earlier in Reader, Meet Author, Vanity Fair editor Cullen Murphy will be at Politics and Prose tonight to read from and sign copies of Are We Rome? As long as we can ruled by Simon Woods, I'm all for saying, yes, please, let's be Rome. 7 p.m. >> Tickets are still available for tonight's performance of Leoš Janáček's Jenůfa at Washington National Opera. Our critic called this production WNO's "best......
Continue Reading "About Tonight"May 20, 2007
Summer is almost here, and that means it is almost time to roll up the carpets and send the Classical Music Agenda on vacation. So enjoy the music while you can. In particular, this is the last week to take in a performance of the best production from Washington National Opera this season, Janáček's Jenůfa. My review called this opera "essential viewing for anyone who cares about music drama." Performances remain only on Monday (May......
Continue Reading "Classical Music Agenda"May 15, 2007
>> At the the Guy Mason Recreation Center tonight there will be an open house to discuss DDOT's Glover Park Transportation Study. 6:30 to 8 p.m. [via FreeRide] >> Trippy Japanese instrumentalists Mono stop by the Rock and Roll Hotel with Grails and World’s End Girlfriend. $10/$12, 8 p.m. doors. >> The American City Diner & Cafe hosts a special screening of the still great Mike Nichols film Who's Afraid of Virginia Woolf?, starring......
Continue Reading "About Tonight"May 14, 2007
Verdi's Macbeth is the least worthy of the composer's three settings of Shakespeare plays, but it is hardly fair to compare this homely little opera to the composer's final masterpieces, Otello and Falstaff. Macbeth, the earliest of the three, has some beautiful melodies, some dramatic scenes, effective choral writing, and glimmers of what Verdi would eventually accomplish -- the elimination of tired bel canto conventions or, short of that, the ingenious incorporation of those......
Continue Reading "Macbeth at Washington National Opera"May 7, 2007
On Saturday night, the Washington National Opera opened its best production of the season, with David Alden's modernized staging of Leoš Janáček's Jenůfa. Washington is the last of the three cities co-producing this version to see it on the stage, after a well-received 2004 premiere at Houston Grand Opera and an overwhelming critical success last fall at English National Opera, where it won the Laurence Olivier Award for best new opera production. Janáček adapted the......
Continue Reading "Jenůfa at Washington National Opera"May 6, 2007
This is another one of those weeks, when devoted classical listeners could be in one hall or another every night of the week. Enjoy it while you can, as the summer is almost here and with it far fewer concerts to hear. ESSENTIAL: >> A concert by French pianist Pierre-Laurent Aimard is an event to be cherished, and this week he will play twice in Washington. The first occasion is a solo recital at the......
Continue Reading "Classical Music Agenda"
