Written by DCist Contributor Kate Mereand

The scenes are always striking: women at night, mostly alone, and then buildings, mostly in daylight. Such is Edward Hopper’s art, finding voyeuristic fancy in two main types of subjects: ladies and places. The similarities he finds between the two are centered on the clear, stark contrast he favors in his style when painting most anything.

You’ll recognize his work from the iconic painting, Nighthawks (pictured above-right). While that painting serves up a warm slice of Americana, many of the other works also on display at the National Gallery of Art better portray the intense intimacy with which Hopper approached both flesh and brick alike. It’s nothing if not personal, and that is why you should see if for yourself. The East Building of the NGA is hosting the largest exhibit of Hopper’s work outside of New York in 25 years. (For a preview, check out the online booklet or their podcast.)

The somewhat photo-realistic quality of Hopper’s work blends more traditional and modern styles of art. The subjects are recognizable, bold, and at times intimate. Whether it is thus milk-toast or middle-ground, art-lovers and haters of all kinds should be able to appreciate something that he offers.