It’s an ordinary gas station at the edge of Georgetown. But with expired film and the lens of a beat-up Kodak Instamatic, Néstor Sánchez Cordero makes it look like it’s not long for this world. Kind of like the company behind the camera.
It’s an ordinary gas station at the edge of Georgetown. But with expired film and the lens of a beat-up Kodak Instamatic, Néstor Sánchez Cordero makes it look like it’s not long for this world. Kind of like the company behind the camera.
