All the Eternal Love I Have for the Pumpkins, 2016 (Courtesy of Ota Fine Arts)

Update: “All the Eternal Love I Have for the Pumpkins” has reopened to the public, the Hirshhorn says. The damaged pumpkin, one of 60 in the room, has been removed for conservation. “The site-specific installation has been reconfigured in collaboration with the artist to ensure the integrity and experience of the installation remains unchanged,” the museum says.

Original: More than 8,000 visitors have already seen the new Yayoi Kusama exhibit at the Hirshhorn Museum. You can probably tell which of your friends is among them by scoping out their social media feeds.

“Kusama’s uniquely immersive installations make great esoteric selfie spaces for the casual gallery goer,” DCist reviewer Dominic Griffin wrote.

Now, it looks like one gallery goer got a bit too casual. A selfie taker damaged one of Kusama’s most iconic images—the pumpkin—while visiting over the weekend. According to artnet news, ” a visitor lost his footing while inside the mind-bending mirrored room, which is filled with bright yellow polka-dotted gourds.”

Visitors told Citylab’s Kriston Capps that the man was taking a selfie when he fell in one of the exhibit’s six infinity rooms.

Museum spokesperson Allison Peck confirms that “a piece within ‘All the Eternal Love I Have for the Pumpkins’ sustained minor damage and the room was closed temporarily. It was evaluated by the Hirshhorn’s experts and it will reopen shortly.” artnet notes that one of Kusama’s gourds sold for $784,485 at Sotheby’s Hong Kong in October 2015.

Free timed passes for the exhibit have been among the hottest tickets in town since it opened on February 23. Peck says that free passes for the week of March 7-13, which were posted on Monday at noon, were claimed in about a minute.

She adds that the museum is planning on implementing late night hours “to be able to offer more free chances for the public to visit.”

The Hirshhorn is also offering walk-up same-day passes at 10 a.m. Peck says folks have started lining up around 9 a.m., and that Tuesdays and Wednesdays are the best to score those passes.

Once you get into the museum, though, you’ll still probably find yourself waiting in lines. Only a few people are allowed in Kusama’s immersive installations at a time, for less than a minute each.

Peck recommends asking a visitor attendant about wait times, so people can scope out other exhibits before their timed entry.