Written by DCist guest contributor Michael Lodico The Washington National Opera’s production of William Bolcom’s operatic adaptation of Arthur Miller’s earthy play (premiered by the Lyric Opera of Chicago in 1999 and staged by Frank Galati) shows the company’s commitment to remounting new American operas after their premieres. The Chicago production, now being presented to D.C. area audiences by the WNO, also features three leads from the original production and the two arias added by…

It is always good to know how your concert schedule is going to play out, and this week things could not be any clearer (and none of these events has sold out). Here is your list of what’s good, what’s free, and even some of what’s both. THE BIG GUNS: >> A couple years ago, soprano Anne Schwanewilms was in the news because she replaced Deborah Voigt, when the latter could not fit into a…

An exhibit designed as career retrospective must be a daunting proposition, especially when focused on a prolific artist whose output ranged over sixty years. Too many pieces, and the exhibit becomes bloated. Too few, and the audience does not get an accurate cross section of the artist’s work. Thankfully, the curators of Saul Steinberg: Illuminations, on display at the Smithsonian American Art Museum, threaded this needle. In doing so, they have mounted a captivating and…

If you are wondering what mysterious something seems to be missing from your life this winter, it could be opera. While we wait for the Washington National Opera’s spring season to start in late March, there are a few operas on the schedule to tide us over, presented by visiting companies like the Kirov Opera and the smaller Washington companies like Opera Lafayette and Virginia Opera. Still, opera addicts will not be satisfied until WNO…