The annual visit of the Mariinsky Theater’s traveling opera troupe from St. Petersburg came a little early this year. The themes that unite the Kennedy Center double-bill of Verdi’s Otello and Tchaikovsky’s Queen of Spades are self-destructive obsessions and tenor heroes who become villains. Who better to perform The Queen of Spades than the Mariinsky Theater, which hosted the world premiere of The Queen of Spades on December 19, 1890? The opera is thoroughly Russian,…

At the end of the first installment of Francesca Zambello’s American Ring Cycle, last year’s Das Rheingold premiered at Washington National Opera, the gods went into Valhalla on what looked like the gang plank of a cruise liner, clinking their champagne flutes. Richard Wagner adapted the libretti of his four-opera cycle from German mythology, and Zambello’s idea was to exchange the German myths in the operas for American ones. The gold-hungry Alberich became a…

The classical music world of Washington seems to have Baroque music on its mind. After plugging the Washington Early Music Festival in this week’s Classical Music Agenda, it is time to tell you about the two Baroque operas that were staged over the weekend. For its first production this summer, the Wolf Trap Opera Company is staging Telemann’s Orpheus, which I heard on Friday night. This opera, rediscovered only in the 1970s, combines a mostly…