Dynamic, lively, stunning, soaring. These are the words used by Smithsonian officials and architect Spencer de Grey to describe the new Robert and Arlene Kogod Courtyard at the Donald W. Reynolds Center for American Art and Portraiture, home to both the Smithsonian American Art Museum and the National Portrait Gallery. With a blend of modern aesthetics and historic sensibilities, the new courtyard is a gorgeous space that the Smithsonian plans to use to hold public…

There are, of course, many criteria by which one can judge a photograph: form, composition, color, subject matter, context, or the viewer’s emotional response. In viewing Harry Benson: Being There, currently on display at Donald W. Reynolds Center for American Art and Portraiture at the National Portrait Gallery, it is not Benson’s technical ability as a photographer that impresses, but his uncanny ability to be present when historic moments occur and then place himself…

Have you or anyone know you know sat for a portrait? In the world since photography, what relevance does the tradition of painted portraiture have? These are questions that the Smithsonian’s National Portrait Gallery would like us to consider. The museum is offering a free event, the Edgar P. Richardson symposium, this Friday (November 17, 9 a.m. to 7 p.m.) on the subject of Today’s Face: Perspectives on Contemporary Portraiture. The morning session features two…

Shortly after Pope Benedict XVI was elected by the College of Cardinals, the Archbishop of Washington, Theodore Cardinal McCarrick, sent his letter of retirement to the Vatican. This is something that bishops are required to do when they turn 75, and the Pope accepted the resignation and soon nominated a successor. The Bishop of Pittsburgh, Donald W. Wuerl, was appointed to be the new leader of the Roman Catholic archdiocese of Washington last month. Yesterday,…