One of the major revelations is that the self-proclaimed “grande dame” of Potomac may no longer reside in the town.
Jul 15, 2011
It’s a Little Late to Say Sorry, Isn’t It?
For all the apologizing going around, it seems clear that even the Councilmembers that cast the votes to move Tommy Wells (D-Ward 6) off the Transportation and Public Works Committee aren’t so sure of themselves.
Nov 05, 2009
A Cate Blanchett DuBois-powered Streetcar
There’s a huge star at the center of the Sydney Theatre Company’s much-hyped, Liv Ullman-directed, wholly satisfying new staging of A Streetcar Named Desire, which sold out its Kennedy Center run before the curtain rose on the first preview. I speak, of course, of the dramatist Tennessee Williams. That’s no slight on Cate Blanchett, who fronts, fights, twirls and finally, crawls her way through a towering, plaintive gut-punch of a performance as Blanche DuBois,…
Photo by Chris Rief aka Spodie Odie.Hoo, boy — if you thought that it had already been a laborious weekend for Metro, you ain’t seen nothing yet. WMATA isn’t taking too kindly to the Post’s big report this morning, an expose about the previous failures of Metrorail’s much-maligned crash avoidance system. The Post’s report leads with a terrifying story about a 2005 incident in which not two, but three trains’ avoidance systems failed, and…
May 27, 2009
Sucker Punch: Journeymen’s Tartuffe
Jesse Terrill tries Steve Beall’s patience in Journeymen’s sharp production of Moliere’s Tartuffe. Written by DCist contributor Andrej Krasnansky. How can a 17th-century play, written entirely in rhyming couplets and aimed at the French aristocracy, be relevant today? The same way even Clinton-era South Park is still enjoyable: Concentrated satire has a long shelf life. Moliere’s play Tartuffe portrays a rich man, Orgon, taken in by Tartuffe, a sinner wearing the hairshirt of a…
Hot for Teacher: Erin Weaver and Cody Nickell get excited about math in Aaron Posner’s new production of “Arcadia.” A few years after Larry David and Jerry Seinfeld dominated network television with their “show about nothing,” Tom Stoppard astonished the theater with a play about everything. More specifically, the mathematical conceits that govern the ultimate predictability of everything. Or don’t. Learned opinion varies about the math. Not so vis-à-vis the play: Arcadia was hailed…
Simon Boyle insists upon due and proper credit for his daddy-killin’ in DRUID’s Playboy of the Western World. Photo by Nick Burchell. It’s already a cliché – or perhaps a symptom of our diseased, decaying age – that getting shot is nowadays regarded as a smart career move (see Curtis James Jackson III, DBA Fifty Cent). Time was, if a young buck wanted to make a name for himself, he had to kill somebody….
May 23, 2008
Shakespeare Theatre’s Antony and Cleopatra: A Long Time Ago, in a Galaxy Far, Far Away . . .
Andrew Long, Ted van Griethuysen, and Aubrey K. Deeker form an uneasy alliance in Antony and Cleopatra. Photo by Carol Pratt. Antony and Cleopatra is a sprawling, lumbering beast of a play — war, international intrigue, doomed love — but the best stuff in the Shakespeare Theatre’s current production is the smallest stuff: he-said/she-said, jealousy, drunkenness. When Cleopatra, Queen of Egypt, learns from a rightly mortified messenger that Antony, the Roman General with whom…
The notion that writers in Hollywood are lazy, disposable crybabies has been a stock type for decades – just ask the guys and gals outside the studio gates with the clever picket signs. But in the theater, playwrights are revered. A new company in town is taking big steps to help emerging dramatists refine their voices — while at the same time, demystifying for audiences just how it is that a “well-made play” gets,…