Lizzy B. (Lisa Hodsoll) is an artist who doesn’t draw much of a line between art and commerce. In the opening scene of Caridad Svich’s Magnificent Waste, being given its world premiere production with Factory 449, she stalks around a rich art collector (Stephen F. Schmidt) at her latest show, flirting aggressively in between conversations about the installation in front of them and the value of art in general. Eventually, he figures out who she is. “You’re the artist,” he says, when the realization hits him.

Randa Tawil, Brian Hemmingsen, Stacy Whittle, Lisa Hodsoll, Sara Barker, David Lamont Wilson, Cesar Guadamuz, Karin Rosnizeck, Mary Suib, and Julie Roundtree in 4.48 Psychosis. Photo by Marc Anthony. It’s unlikely you’ve had a theater going experience in recent memory as uncomfortable as Sarah Kane’s 4.48 Psychosis. That might be a problem if it wasn’t also likely one of the most rewarding. The play is the final one ever written by Kane, a British…