This review was written by new DCist contributor, Christopher Klimek Robert Bolt’s A Man for All Seasons, newly revived at the Keegan Theatre, is probably forever doomed to be stuck in the present. First staged in 1960, and dramatizing events that occurred more than four centuries earlier — Thomas More’s refusal-by-silence to sanction King Henry VIII’s divorce — the play seems contemporary, as martyr stories inevitably will. After all, who was Thomas More, if…

Taking someone you love to a Holiday Concert is a great December tradition, but how do you know what you will like? Are there really that many choices? We dealt with Messiah performances earlier this week, but here are the season’s best and not so best, all around Washington. Use the comments section if we’ve missed something. INTERESTING: >> The Folger Consort gives the best Christmas concert in Washington, with excellent performances of unusual repertory….

Sexual intrigue, Hellen Keller and urine; that’s what area theaters have to offer us during the slow month of August, the dead time between the close of the ’04/’05 season and the beginning of the new one. In all seriousness, August still has plenty of offerings for D.C. theatergoers, as a bunch of well-received shows take final bows and a few exciting new productions make their debuts. People can’t stop tinkering with Les Liasons…

Editor’s note: The following preview was written by Missy Frederick “Bard-37” … What does this phrase bring to mind? A punk band? A brand of malt liquor? A series of all of Shakespeare’s plays read in chronological order at a local Arlington playhouse? All snark aside, option C is correct. Washington Shakespeare Company has been performing each of the playwright’s works as part of its Bard-37 Canon Cabaret. Tonight, they will read King Lear at…