Silent Shakespeare? At first instinct, it almost seems a misguided endeavor. After all, for what is the Bard more beloved than his words, words, words? Shakespearean plots can often play out as hokey and contrived, when stripped of the beautiful language accompanying them. Not so in Synetic Theater’s Macbeth an impressive accomplishment of dance, movement and expression (the group previously gave the same treatment to Hamlet, which it will reprise later this year). Even going…

Dybbuk, the term for a spirit that enters the body of someone who is living, is derived from the Hebrew word “to cling”. Appropriately, the Washington DC Jewish Community Center’s (DCJCC) production of S. Anski’s classic Jewish text, The Dybbuk, focuses on characters who cling to things a little too tightly. Leah’s father Sender (Irakli Kavsadze), for example, clings to the idea that a marriage full of material riches, in contrast to one formed by…