It’s December, which means that much of the classical music concert schedule is devoted to some holiday that apparently occurs near the end of the month. Consult our Holiday Concert Agenda and our Handel’s Messiah Agenda, if that is the sort of thing that interests you. Let’s try to keep the regular agenda free of that stuff. There is plenty to talk about without it. VOICES: >> The annual residency of the Kirov Opera, the…

After a weekend full of concerts, there is not much to mention this week, for obvious, turkey-related reasons. Still, if you find yourself in town this week, there will be a few things to hear, although tickets may be hard to find. >> On Monday (November 19, 7:30 p.m.), French violinist Nicolas Dautricourt will be hosted by his country’s embassy, La Maison Française. The attractive, all-modern program is bookended by the Poulenc and Debussy violin…

There are ways to attend an opera in Washington at a ticket price that will not make you cry. The easiest way is to go to a performance from one of the smaller or collegiate companies, where the reasonable ticket price will translate into hearing lesser singers or a piano or small instrumental ensemble instead of a full orchestra. If you want the true experience of opera, however — that “exotic and irrational entertainment” described…

Classical music has come back from summer vacation, and that means you actually have a choice of concerts this week. Most importantly, many of the city’s leading groups are opening the season with glittering events. Look for reviews next week. >> Washington National Opera is opening its fall season with one of the most popular operas in the repertoire, Puccini’s La Bohème (September 15 to 30). For all its audience-pleasing qualities, this opera is a…

Opera is a serious musical genre, the summa of high dramatic art. For some serious thoughts about the season just concluded by Washington National Opera, you could read the Opera Season in Review from last week. In a less exalted but equally important way, opera is about ostentation, and in that vein, there is one more glittering event that always makes the end of the season final in Washington, and that is the annual Opera…

>> As we mentioned earlier in Reader, Meet Author, Vanity Fair editor Cullen Murphy will be at Politics and Prose tonight to read from and sign copies of Are We Rome? As long as we can ruled by Simon Woods, I’m all for saying, yes, please, let’s be Rome. 7 p.m. >> Tickets are still available for tonight’s performance of Leoš Janáček’s Jenůfa at Washington National Opera. Our critic called this production WNO’s “best…

There is little doubt that the main event this week is the opening of the final part of the Washington National Opera’s season. The company’s penultimate production, Leoš Janáček’s Jenůfa in a staging by David Alden, won the Laurence Olivier Award this year for best new opera production. For reasons beyond understanding, not a single performance has sold out, although this is likely to be the high point of the WNO season. Some people may…

It was all the way back in November that we brought news — via The Upstate Life — that Sufjan Stevens would be playing a free show at the Kennedy Center. Unfortunately, that teaser was all we had to offer; ticket details weren’t available, and the concert wasn’t until February 5. Well, it’s finally time. If you’re keen to see Sufjan — or the NSO, or the Alvin Ailey American Dance Theater — get…

So much is happening in classical music this week, much of it already sold out. Here are a few things for which tickets are still available and that should be of interest. JUST VISITING: >> The award for best free concert of the week goes to the Hilliard Ensemble, one of the best choral groups in the world, visiting the Freer Gallery of Art on Wednesday (January 24, 7:30 p.m.). Their program includes music by…

The Shakespeare in Washington festival continues this week with the visit of the Kirov Ballet to the Kennedy Center Opera House. This year, the resident troupe of St. Petersburg’s Mariinsky Theater has brought its traveling production of Leonid Lavrovsky’s choreography of Romeo and Juliet. Sergei Prokofiev wanted to premiere the sublime music of this ballet (op. 64) at the Mariinsky in the 1930s, but the theater ultimately balked. The Bolshoi Theater in Moscow also accepted…