Written by DCist guest contributor Michael Lodico The Washington National Opera’s production of William Bolcom’s operatic adaptation of Arthur Miller’s earthy play (premiered by the Lyric Opera of Chicago in 1999 and staged by Frank Galati) shows the company’s commitment to remounting new American operas after their premieres. The Chicago production, now being presented to D.C. area audiences by the WNO, also features three leads from the original production and the two arias added by…

The recitals sponsored by the Vocal Arts Society are usually very well attended. Their latest concert, by Hawaiian baritone Quinn Kelsey, did not have the same draw as some of their other events, but those who made it to the Kennedy Center’s Terrace Theater on Monday evening were rewarded with some excellent singing. In 2005, Kelsey represented the United States at the BBC Singer of the World competition, and he has been appearing at Lyric…

Richard Strauss’s Salome (1905) helped set the tone for iconoclastic opera in the 20th century. Shattering most of the genre’s conventions — formulaic plots, vocal characterization, propriety — this tale of lust, incest, and decollation may still shock some viewers, but it has become a modern classic. Although Washington National Opera last staged it as recently as 2002, Washington audiences should be pleased to have another chance to hear it, in an excellent concert version…

The classical music schedule in Washington is starting to fill up, so that by February and March, we will be overwhelmed. Here are a few sure bets this week, as well as a smattering of concerts off the beaten path. THE BIG GUNS: >> Soprano Deborah Voigt has always had a big, gorgeous voice. She made news two years ago when she was fired from a production because the director wanted her character to wear…