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Nov 15, 2007

Popcorn & Candy: Music in the Time of War

DCist’s highly subjective and hardly comprehensive guide to the most interesting movies playing around town in the coming week. Indie: War/Dance Sometimes you need an antidote before the poison even arrives. Next week Hollywood releases yet another of those diabetic-shock-inducing films about musically gifted youngsters and how they can be an inspiration to us all, designed to make soccer moms everywhere weep into their hankies. One week prior to that, though, comes a documentary from…

Nov 08, 2007

Popcorn & Candy: Men of Constant Sorrow

DCist’s highly subjective and hardly comprehensive guide to the most interesting movies playing around town in the coming week. Major Release: No Country for Old Men We’ll be covering the latest release from the Coen Brothers in more depth tomorrow, but in the time being, we’ll tell you this: not only have the filmmakers recovered from the mediocre doldrums of their last couple of outings, but they have returned with a bloody vengeance with a…

Oct 04, 2007

Popcorn & Candy: Brotherly Love

DCist’s highly subjective and hardly comprehensive guide to the most interesting movies playing around town in the coming week. Indie: The Darjeeling Limited By now, five features into his career, it’s likely you already have a strong opinion on Wes Anderson. Despite his tendency to borrow liberally from his own film and literary heroes, from Kubrick to Fitzgerald to the entire French New Wave, a Wes Anderson film feels like a Wes Anderson film from…

Dec 21, 2006

Film Roundup: Holiday Edition

This piece was written by DCist contributor Cynthia Rockwell. Sure, you could bask in the seasonal spirit and check out the classics this weekend, but if you’re looking to escape the incessant holiday cheer, here are a few ideas for cinematic diversion: >>Attention Cate Blanchett fans, we have not one but two films starring the willowy beauty opening this week. First is the slick black-and-white espionage thriller The Good German, Steven Soderbergh’s homage to film…

 
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