I think what I’ve always liked about Raphael Saadiq was clear as soon as I got to the 9:30 Club last night: each person in last night’s sold-out crowd had a different story, but each had a reason to buy a ticket. Around me I could hear talk of his history in the 90s with Tony! Toni! Tone! but up on the club’s video screen was the cover of Stone Rollin’ ,the solo album he released this month, and it was through Stone Rollin’ and other solo efforts like The Way I See It that I got to know him.