Fringe shows often work best when they offer something you’re just not going to see on a typical night of D.C. theater. Nearly life-sized puppetry, underscored by lush orchestration, all in the effort of delivering a dark, dystopian take on a familiar fairy tale? Red Hood: Once Upon A Wartime qualifies. This artsy take on the “Little Red Riding Hood” myth intriguingly melds the actions of traditional actors and their puppet counterparts (both doll-sized…