Today at Silverdocs: Films about canned food, birds in Central Park, staging Wagner’s Ring cycle, the artist Marina Abramovic and Charles Bradley, a James Brown impersonator finally striking out on his own.

Conductor Philippe Auguin In 2006, when Washington National Opera opened its American Ring Cycle, few could have imagined that it would end as it did on Saturday night, with a concert performance of Götterdämmerung. After very promising productions of Das Rheingold and Die Walküre in 2006 and 2007, financial considerations delayed the staging of Siegfried by one season, to last spring, when it ended up with a troubled casting and special-effects woes. The collapse…

The 2006-07 season of the Washington National Opera comes to a close next week, with a concert appearance by several of its singers at the Music Center at Strathmore (May 31, 8 p.m.) and the last performance of its final production, Macbeth (June 2, 7 p.m.). It is time to take stock of the company’s achievements this season and look forward to what it will offer the city next year. Four productions this season were…

At the end of the first installment of Francesca Zambello’s American Ring Cycle, last year’s Das Rheingold premiered at Washington National Opera, the gods went into Valhalla on what looked like the gang plank of a cruise liner, clinking their champagne flutes. Richard Wagner adapted the libretti of his four-opera cycle from German mythology, and Zambello’s idea was to exchange the German myths in the operas for American ones. The gold-hungry Alberich became a…

In addition to having a vibrant classical music concert scene, Washington is home to a number of classical performers and composers, like Nicholas Maw, composer of Sophie’s Choice, who now makes his home in the Maryland suburbs. When a great performer dies, classical music fans everywhere mourn the loss of a favorite voice or sound, but when such a performer also happens to be a fellow Washingtonian, it hits closer to home for us here….

Although it may seem unnecessary to say so, sometimes opera can be fun. Italian comic opera can be musically formulaic, simplistic in plot, and even thin on entertainment. However, the best examples, when presented well, are irresistibly light-hearted. Washington National Opera’s production of Gaetano Donizetti’s L’Elisir d’Amore is just that. Yes, it’s a silly story and the characters are flimsy, the staging is a reprise of Stephen Lawless’s 1997 version — altered in minor ways…

On Saturday night, Washington National Opera unveiled the first installment, Das Rheingold, of its new staging of Richard Wagner’s operatic tetralogy Der Ring des Nibelungen at the Kennedy Center Opera House. A co-production with San Francisco Opera, this “American Ring cycle” is the work of director Francesca Zambello and a team of American artistic collaborators. They have brought together images drawn from the history of the United States to transform Wagner’s libretto, based on pre-Christian…

Last night, we heard the National Symphony Orchestra give its first program of 2006, the second in the usual series of three concerts. This concert featured guest conductor James Conlon and three opera singers in the marquee work that really filled the hall, a concert performance of the first act of Richard Wagner’s opera Die Walküre. As we mentioned in last week’s Classical Music Agenda, Washington is getting ready for a much-anticipated encounter with Wagner’s…