Perhaps the most interesting aspect of The Fake Accents is their ability to make their inherent contradictions seamlessly coexist. One might not expect that the same band who records and listens to their own practice sessions would also write a disclaimer on their first album that most of the songs that they’d written were actually just ripped off of other songs. Their songs are identifiable by both their catchy hooks and their noisy guitar riffs….

When watching Synetic Theater’s take on The Fall of the House of Usher, it seems almost inevitable that the talented troupe would tackle the work. The themes and abstract nature of Poe’s short story are keenly suited to Synetic’s signature style, one of gothic moods and Irina Tsikurishvili’s original, attention-grabbing choreography. The story is familiar, of course: Edgar is summoned to the house of his friend Roderick, who claims he and his sister are suffering…

They’re baaaaack. The area’s theater companies, that is. September marks season opener time for quite a few groups around town. Here are some of the highlights: This weekend kicks things off with the Kennedy Center’s Page to Stage festival. Get a free first look at some of the new plays premiering around town this season. Lots of stuff looks interesting — a new take on Kafka’s The Trial from Catalyst, Ken Ludwig’s version of The…

This past month’s rain washed out plenty of events in the District; among them was our chance to see Metropolitan with Shwa and Five Four at Ft. Reno on June 12. Instead, for this month’s Three Stars we’re reviewing the band’s third album The Lines They Get Broken. Metropolitan have one of the more upbeat sounds in D.C., and stay away from political commentary or avant garde art rock. The band’s sound draws from cited…