FRIDAY: >>Great quadruple bill comes to the Rock and Roll Hotel: Three Stars alums Jukebox the Ghost (pictured right) and tour diarists These United States join DCist fave Ra Ra Riot and Sam Champion. All that for the low, low price of $10 before, $12 at the door. Show 9 p.m. >> The Black Cat once again hosts Cryfest, everyone’s favorite dance party that pits The Smiths vs. The Cure, brought to you by DJs…
The National Symphony Orchestra is about to lose its captain, when Music Director Leonard Slatkin steps down at the end of this season. Slatkin is clearly not ready to retire, although he has hinted that he is all too ready to move past the discomforts of his tenure in Washington. He will split his time among the Detroit Symphony Orchestra, the Royal Philharmonic in London, and the Pittsburgh Symphony, as well as teaching at Indiana…
While no major event on the schedule this week trumps all others, there are several concerts that will merit your attention. Three of them are scheduled for Thursday night. If contemporary music was the headliner last week, this week it is early music. >> Opera Lafayette’s bread and butter is in presenting obscure Baroque operas, usually French, sung by exceptional voices and with the help of their fine instrumental ensemble. The group opens its season…
FRIDAY: >> Starting tonight, George Mason Stadium plays host to the region’s annual D.C . College Cup. The soccer teams of George Washington, American, Howard, and George Mason will square off in two rounds of games. Though the tournament is conspicuously missing national powerhouses UMD and UVA, the event will still showcase some of the best young talent around. GW and AU kick off tonight’s slate (5:00 p.m.), with Howard and GMU rounding the night…
FRIDAY: >> There’s another Hirshhorn AfterHours event planned for tonight, when the museum stays open late for a party, this time featuring DJ Spencer Product in a celebration of the new exhibit Wolfgang Tillmans. $10 in advance, $12 at the door, 8 p.m. to midnight. >> KRS-One is “The Teacher” for a reason — besides being an over-40 MC still preaching against violence, misplaced hatred, and government corruption, he’s also been a crucial influence for…
April continues to be a busy month for your classical music critic, and that is just the way we like it here. This week has just about everything: some big names, some opera, some early music, and more free concerts than we probably deserve. Take your pick. >> The main event of the week is the much-anticipated (and sold out) Kennedy Center recital by Evgeny Kissin, sponsored by Washington Performing Arts Society. The program features…
Things are a little slow this week in classical music, because of Easter and all that. There are still a few good things to be heard, but the list is shorter than normal. Besides, it’s hard to tolerate being indoors when those trees are doing their whole pink thing. >> A concert we are going to have to miss is the most interesting of the week, a program by the 21st Century Consort called Games…
We always tell you where the free concerts are, but just because a concert is free does not mean that it will be good. This week, we are leading with the free concerts because they are so good. Other than the free stuff, there is so much to hear, we have selected a few options from what is less expensive, not sold out, and likely to be good. FREE, FREE, FREE: >> The Washington Bach…
It’s a new year, and the winter and spring half of the season is getting under way. There are some excellent concerts planned in Washington over the next several months. We’ll be letting you know more about them week by week, every Sunday. SYMPHONY: >> Why is DCist headlining the Baltimore Symphony? The incoming music director of the BSO — Marin Alsop, the first woman to hold that position with a major American orchestra —…
The National Symphony Orchestra gave its first official performance of the fall season last night in the Kennedy Center Concert Hall, opening by tradition with a performance of the national anthem. Music director Leonard Slatkin struck exactly the right tone by opening not with a perennial audience favorite, but with a piece never performed by the NSO until now, William Walton’s Partita for Orchestra (1957). It rocketed to a start in a blast of sound,…
