One critic loved “Clyde’s” at Studio Theatre; another took in an experimental, if at times confusing, take on “Julius Caesar” (just in time for Ides of March).

But don’t worry, you still have plenty of time to catch “Kinky Boots” in March.

Our critics saw plays about jazz and the criminal justice system, the perils of social media, violence as a means to racial justice, and — wild card! — an ode to fact-checking.

See what our critics had to say about the story of the last two Jews in Afghanistan, a play that wrestles with assimilation and identity, and a musical where everyone is dead. (Not a spoiler, we swear!)

Our critics checked a version of “The Tempest” involving lots of magic, a Pulitzer-winning play at Kennedy Center, and a hit that Broadway nerds will love. (All three run into January.)

See a traditional take on Sondheim, a twist on one of Shakespeare’s most beloved comedies, or a one-man show that details what happens when a Jewish comic crashes a white supremacist meetup.

Our critic weighs in on the retelling of Irish play “The Playboy of the Western World” from Solas Nua and a story of addiction and recovery at Studio Theatre.

Our critics give you the lowdown on Arena Stage’s “My Body No Choice,” a feminist retelling of “Dracula” just in time for Halloween, and two other shows running at D.C.-area theaters right now.

Constellation Theatre returns with a joyous, Caribbean-set musical, and Shakespeare Theatre is putting on a revival of a groundbreaking show about Leonardo da Vinci.

Here’s what our critics have to say about “The Trip to Bountiful” at Ford’s Theatre and “Heroes of the Fourth Turning” at Studio Theatre.