The Branden Jacobs-Jenkins play about death mixes its actors up in different roles with every performance.

Solas Nua’s production at Eaton DC’s bar is “a rhyming roast of America.”

The play sets a similar tale of paranoia and violence in the imaginary town of Forest Treás.

Though at times provocative, this modernization of “Miss Julie” suffers from a contrived setup.

The show juxtaposes opulence with the depravity it caused.

Wonderland Ballroom stands in place of one of the nation’s oldest black gay bars, and other neighborhood history.

“Indecent” is a deeply Jewish story, embedded with Jewish language, music, dance, history, and fears.

Krista Schlyer spent eight years documenting the river for “River of Redemption: Almanac of Life on the Anacostia.”

After five months, 138 costumes, and 37 wigs, “La traviata” is ready for the stage.

“Marie and Rosetta” is fun in the way that seeing Sister Rosetta Tharpe and Marie Knight sing must have been fun; the music translates through the decades.