Today’s review was written by DCist contributor Jim Smalley, a patent examiner for the USPTO and aspiring local musician.

For those who weren’t living on a prayer at the MCI Center Saturday night, the Black Cat hosted a classic matchup of local music, featuring three D.C. bands each armed with their own flavor of rock n’ roll. The temptingly-diverse bill drew from all circles of D.C. society, packing the Cat with friends and fans alike. Even local music celebrity and Monopoli frontman Alfonso Velez was spotted taking in the action. Let it be known to DCist Music readers: when we hype an upcoming show, it’s going to be worth it.

The Bonapartes led the opening charge, unleashing their blistering arsenal of indie rock both on stage, and on the merch table with the release of their highly anticipated self-titled EP. Guitarist Eamonn Aiken showed off his nifty chops with the piercing harmonics of MySpace favorite “Concentric” and the feel-good dirty guitar riff of “Tomorrow and Tomorrow and Tomorrow,” while singer Scott Westfall’s vocals soared over a rock solid rhythm section of ever-stoic bassist Brad Johnson and animated drummer Dexter Fontaine. The Bonapartes showed they could indeed recreate their sound live, and leave us in anticipation of future headlining gigs. Guitarist Ben Griggs earned his punk rock red badge of courage, opening a bloody cut on his strumming hand finger during the band’s final song. Fortunately, Griggs appeared to be o.k., and was later seen taking in the rest of the night’s entertainment.