Buck Hill was a prolific jazz performer and a career mailman.

Mikaela Lefrak / WAMU

A man in a U.S. Postal Service uniform leans against a brick wall at 14th and U Streets NW. He’s playing a tenor saxophone, with his mailbag resting at his feet. He’s also nine stories tall.

The 70-foot-tall mural of Buck Hill is D.C.’s newest and tallest outdoor portrait. City officials dedicated it on Tuesday morning as Hill’s family members, historians, property developers, jazz musicians and members of the city’s letter carriers union stood by.

Hill was a native and lifelong Washingtonian who died in 2017 at the age of 90. He began performing in jazz clubs along the U Street Corridor in the 1940s when the area was known as “Black Broadway.” He recorded with jazz greats like Dizzy Gillespie and Miles Davis, but passed up offers to perform in other cities and countries in favor of staying close to home.

Hill also spent more than 40 years as a mail carrier with the Postal Service, and his dedication to his dual careers earned him the nickname “the Wailin’ Mailman.” Fittingly, the mural of Hill is kitty-corner to the U.S. Post Office in the Reeves Municipal Center.

Artist Joe Pagac says the portrait is the largest work he’s ever done.

It’s one of six new murals by MuralsDC, which is funded by the D.C. Department of Public Works and works with the Commission on the Arts and Humanities.

The painting of Hill presides over one of the city’s most culturally rich neighborhoods, as well as one of its most gentrified. In the past five years alone, the corner of 14th and U Street has welcomed a Trader Joe’s, SoulCycle, and Capital One bank branch, as well as a host of luxury apartment buildings. A studio apartment at Elysium Fourteen, whose wall the Buck Hill mural adorns, rents for $2,250 per month.

The neighborhood’s transformation didn’t go unnoticed during the dedication event.

“As much as I love seeing Buck on that wall, I would love for there to be some affordable housing in this joint, so we—those people who look like him—can have a place to stay,” said Reverend Sandra Butler-Truesdale, president of the D.C. Legendary Musicians, Inc. and author of the book Images of America: Washington, DC, Jazz.

“It’s been a minute since I’ve seen this many black people at 14th and U,” a man in the crowd said under his breath. “That’s the truth.”

Hill’s family members watched city officials dedicate the mural.

The city brought in Tucson-based artist Joe Pagac for the project. He’s painted two MuralsDC projects before, and he worked with local historians and the city to come up with the design.

“I’m just really thankful to have been able to be a part of commemorating Buck in a neighborhood that was, you know, one that he really loved so much,” Pagac said at the dedication. He also thanked his wife, Arielle Pagac-Alelunas, who helped him operate the scaffolding. “She had to get over her fear of heights,” he said.

At the end of the dedication, Hill’s daughter Robin accepted a certificate officially declaring the day “Roger Wendell ‘Buck’ Hill Day.”

“I’m very proud,” she said. “He would have loved it.”

This story originally appeared on WAMU.