Christoph Eschenbach is nearing the end of an extraordinary first year as music director of the National Symphony Orchestra. A season of rather remarkable programming reaches its spiritual pinnacle with this week’s concerts, when the NSO will give three performances of one of the monuments of the 20th-century orchestral repertoire, Olivier Messiaen’s Turangalîla-Symphonie (March 10-12). Eschenbach’s predecessor, Leonard Slatkin, led a performance of this immense and phantasmagorical work ten years ago, and Eschenbach returns to it in the context of this month’s maximum INDIA festival at the Kennedy Center (some of the rhythmic patterns in the work are based on Indian Tālas). Messiaen derived the work’s title from two Sanskrit words meaning “the flow of time” and “cosmic play,” and he described it as a “love song and hymn of joy, time, movement, rhythm, life, and death.”

The symphony orchestra has been dying for at least a decade. To reach new audiences, the theory goes, orchestras must innovate, explore new repertoire, come outside the concert hall. This weekend’s concerts from the National Symphony Orchestra are one example of how to do just that.

After three programs to open the season, the Christoph Eschenbach era at the National Symphony Orchestra is off to an excellent start. Like last week’s concert and, to a lesser degree the first week before that, in this weekend’s concert, heard last night, the NSO players sounded unified, energized, well rehearsed and brimming with confidence.

Conductor Christoph Eschenbach Christoph Eschenbach is here and in the sold-out Kennedy Center Concert Hall last night, the excitement was palpable for his first program with the National Symphony Orchestra. The new music director’s tenure promises a focus on contemporary music such as Matthias Pintscher’s Hérodiade-Fragmente, which opened this first subscription concert. The piece, having premiered in 1999, received its Washington debut last night; in fact, this was the first time that the NSO…

The financial news is far from rosy, but there is good news this morning for the city’s classical music lovers. It looked to be a rudderless, vanilla season for the National Symphony Orchestra, without a Music Director since the departure of Leonard Slatkin at the end of last season. But the NSO has just announced a September surprise: veteran conductor Christoph Eschenbach (pictured), most recently of the Philadelphia Orchestra, will be appointed Music Director for…

On Sunday afternoon, Washington Performing Arts Society concluded another excellent season with the latest concert by the Philadelphia Orchestra in the Kennedy Center Concert Hall. The impressively full hall bore witness to the continued popularity of this prestigious ensemble, in spite of the turning of critical opinion against it. According to one recent assessment of American orchestras, the Philadelphians are no longer among the symphonic Big Five. The problems began when current Music Director Christoph…

If the Christmas shopping season begins the day after Thanksgiving, the Christmas Concert season begins in the first weekend of December. Some groups perform the same music ad nauseam — especially Handel’s Messiah, a work that Congress should pass a 10-year moratorium against performing — and others program new and interesting music every year. Just trust us when we say that, if you want to hear a Christmas Concert in this city, you can. Throughout…