Written by DCist guest contributor Michael Lodico The Washington National Opera’s production of William Bolcom’s operatic adaptation of Arthur Miller’s earthy play (premiered by the Lyric Opera of Chicago in 1999 and staged by Frank Galati) shows the company’s commitment to remounting new American operas after their premieres. The Chicago production, now being presented to D.C. area audiences by the WNO, also features three leads from the original production and the two arias added by…

Before the curtain of the second performance of Washington National Opera’s new production of Mozart’s Don Giovanni on Monday night, conductor Plácido Domingo made an announcement. Happily, it was not to announce a cast change, but to draw the audience’s attention to the fact that it was the 220th anniversary of the opera’s first performance in Prague (October 29, 1787). This production is not likely to rank high on anyone’s list of noteworthy versions of…

It is always good to know how your concert schedule is going to play out, and this week things could not be any clearer (and none of these events has sold out). Here is your list of what’s good, what’s free, and even some of what’s both. THE BIG GUNS: >> A couple years ago, soprano Anne Schwanewilms was in the news because she replaced Deborah Voigt, when the latter could not fit into a…

There are ways to attend an opera in Washington at a ticket price that will not make you cry. The easiest way is to go to a performance from one of the smaller or collegiate companies, where the reasonable ticket price will translate into hearing lesser singers or a piano or small instrumental ensemble instead of a full orchestra. If you want the true experience of opera, however — that “exotic and irrational entertainment” described…

This is going to be an excellent week for serious listeners of classical music, with several major events headlining the agenda and some other good concerts on the sidelines. In the spotlight are a piano recital, a visiting orchestra, Russian music, and possibly the greatest opera ever composed. HEADLINES: >> Pianist Murray Perahia had to cancel his 2006 recital for Washington Performing Arts Society, because of renewed pain from a finger injury in the 1990s…

Last week’s battle of the orchestras may be eclipsed by this week’s. Besides the local symphonic ensembles, there are some visitors in the ring, too. The common theme is the piano concerti of Johannes Brahms, both of them disarmingly beautiful pieces, and here is how we call it. THE ORCHESTRAS >> The week starts strong with the Cleveland Orchestra on Monday (October 15, 8 p.m.) in the Kennedy Center Concert Hall. Washington Performing Arts Society…

The high point of this week in classical music is surely the Lieder recital by the superlative German baritone Christian Gerhaher and his regular pianist collaborator, Gerold Huber, sponsored by the Vocal Arts Society at the Embassy of Austria (October 11, 7:30 p.m.). Gerhaher’s most recent Lieder recording is a knockout, and his program for Thursday night is devoted entirely to songs by Robert Schumann. THE SYMPHONY: >> Riccardo Chailly brings his La Scala Philharmonic…

Ahh, rise and shine, Washington! It’s another beautiful fall day, so stretch and breathe in deep … but not too deep, unless you enjoy inhaling some of the worst air in the nation. Scientists are putting numbers on information our lungs already knew: the D.C. area “produces more carbon dioxide than several medium-size European countries,” the Post reports. This is due primarily to Maryland’s coal-burning power plants and our stand-still traffic, we make more carbon…

While no major event on the schedule this week trumps all others, there are several concerts that will merit your attention. Three of them are scheduled for Thursday night. If contemporary music was the headliner last week, this week it is early music. >> Opera Lafayette’s bread and butter is in presenting obscure Baroque operas, usually French, sung by exceptional voices and with the help of their fine instrumental ensemble. The group opens its season…

Washington Concert Opera presented the first half of their new season on Sunday night at an admirably full Lisner Auditorium. Rather than a more typical rarity, it was one of the gems of the bel canto repertoire, Vincenzo Bellini’s late opera I Puritani, or as bad-girl soprano Anna Netrebko memorably put it, “crap.” No one should ever mistake I Puritani for a dramatic masterpiece, but it does have some of the best, most polished, and…