Our critics weigh in on a new superhero-themed hip-hop musical, a modern take on fairy tales, and a new run of part of the seminal work “Angels in America.”

Our critics offer theater reviews on a buzzy edition of “Midsummer Night’s Dream,” a girl power musical banger, and a musical by the writer of “Rent.”

Our critics weigh in on a Pulitzer-winning show that highlights Black friendship, a world premiere billed as a queer rom-com, and a bilingual version of “The Music Man.”

For our May theater reviews, critics weigh in on Woolly Mammoth’s “There’s Always The Hudson” and a feminist take on Othello — one that centers the women in the story — with “Desdemona: A Play About A Handkerchief.”

The play dramatizes a day or two in the life of two young black men who spend their time hanging out on a street corner.

The musical won a slew of Tonys on Broadway, but struggles to find its footing here.

This classic British gothic play now at the Shakespeare Theatre Company is just as frightening as it is fun.

There’s not enough that’s human in this world-premiere tale of the Internet—and the laws that govern it.

The 1960s-set play unfolds as a game of escalating brinkmanship between its two polar leads.

A fabulous performance from Felicia Curry leads this rags-to-riches-to-rags again satire from Pulitzer-winning playwright Lynn Nottage.